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Super Yacht knowledge Magazine Highlights Egypt's Capabilities in Yacht Tourism

  • Wednesday، 17 April 2024 - 12:08 AM

superyacht knowledge magazine

The latest edition of Super Yacht knowledge, a British magazine that exclusively focuses on the yacht tourism industry, has featured a special file about Egypt and its potential for yacht tourism.

This came after the Egyptian General Authority for Tourism Promotion collaborated with the magazine to promote yacht tourism in Egypt, in accordance with the directives of President Abdel Fattah El-Sisi to boost this industry.

The renowned magazine, which is distributed frequently to yacht owners and captains globally, sheds light on the introductory visit organized by the Authority last February. The visit hosted a group of captains, yacht captains, and journalists specialized in yacht tourism.

During this visit, they explored many fascinating tourist destinations in Egypt that have the potential to attract yacht tourism.

The magazine also features the historic Super yacht “El Mahrousa”, which is the oldest in the world. The writer devotes an entire section to this yacht, built in 1864 by order of Khedive Ismail for the opening of the Suez Canal celebrations.

In addition to the yacht, the magazine reviews various tourist cities, museums, and archaeological sites in Egypt visited by the delegation. These include the Grand Egyptian Museum, the National Museum of Egyptian Civilization (NEMC), the Giza Pyramids area, the Valley of the Kings area in Luxor, and the iconic temples of Edfu, Kom Ombo, and Philae in Aswan.

It is worth noting that at  last February, the Ministry of Tourism and Antiquities, represented by the Egyptian General Authority for Tourism Promotion, organized the first promotional forum for Egypt as a destination for yacht tourism, in which a group of international experts in super yacht tourism and related activities participated, in addition to a number of Yacht captains, representatives of yacht charter companies, experts in marina construction and operation, and writers specialized in this field.

During this forum, the participants held a number of meetings with those concerned with yacht tourism in Egypt from the relevant authorities, during which the possibilities available in the Egyptian tourist destination to receive super yachts were discussed, and ways of moving from ports and marinas to museums and tourist and archaeological sites in the Egyptian tourist destination.

In the context of promoting the advantages and attractive elements that Egypt enjoys for the yacht tourism product, the Authority produced a group of documentaries during which it showcases the capabilities enjoyed by the Egyptian marinas on the Red and  White Mediterranean sea  and displays and promotes them among yacht captains and owners, internally and externally. While highlighting  on the capabilities of  various and different tourist destinations for neighboring and close to these marinas, in addition to preparing advertising materials from publications and others to review and introduce the advantages and technical specifications that each marina or port in Egypt enjoys.

An advertising campaign was also implemented about the single window for the Egyptian yacht tourism, which was launched by the Maritime Transport Sector at the Ministry of Transport, in which all concerned parties are represented for the purpose of simplifying procedures and obtaining security approvals, with an introduction to how to deal with this electronic portal, and planning to participate in many international events during The coming period will discuss yacht tourism in Italy, France and other countries.

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Super Yacht knowledge Magazine Highlights Egypt's Capabilities in Yacht Tourism

Super Yacht knowledge Magazine Highlights Egypt's Capabilities in Yacht Tourism

The latest edition of Super Yacht knowledge, a British magazine that exclusively focuses on the yacht tourism industry, has featured a special file about Egypt and its potential for yacht tourism.

This came after the Egyptian General Authority for Tourism Promotion collaborated with the magazine to promote yacht tourism in Egypt, in accordance with the directives of President Abdel Fattah El-Sisi to boost this industry.

The renowned magazine, which is distributed frequently to yacht owners and captains globally, sheds light on the introductory visit organized by the Authority last February. The visit hosted a group of captains, yacht captains, and journalists specialized in yacht tourism.

During this visit, they explored many fascinating tourist destinations in Egypt that have the potential to attract yacht tourism.

The magazine also features the historic Super yacht “El Mahrousa”, which is the oldest in the world. The writer devotes an entire section to this yacht, built in 1864 by order of Khedive Ismail for the opening of the Suez Canal celebrations.

In addition to the yacht, the magazine reviews various tourist cities, museums, and archaeological sites in Egypt visited by the delegation. These include the Grand Egyptian Museum, the National Museum of Egyptian Civilization (NEMC), the Giza Pyramids area, the Valley of the Kings area in Luxor, and the iconic temples of Edfu, Kom Ombo, and Philae in Aswan.

It is worth noting that at  last February, the Ministry of Tourism and Antiquities, represented by the Egyptian General Authority for Tourism Promotion, organized the first promotional forum for Egypt as a destination for yacht tourism, in which a group of international experts in super yacht tourism and related activities participated, in addition to a number of Yacht captains, representatives of yacht charter companies, experts in marina construction and operation, and writers specialized in this field.

During this forum, the participants held a number of meetings with those concerned with yacht tourism in Egypt from the relevant authorities, during which the possibilities available in the Egyptian tourist destination to receive super yachts were discussed, and ways of moving from ports and marinas to museums and tourist and archaeological sites in the Egyptian tourist destination.

In the context of promoting the advantages and attractive elements that Egypt enjoys for the yacht tourism product, the Authority produced a group of documentaries during which it showcases the capabilities enjoyed by the Egyptian marinas on the Red and  White Mediterranean sea  and displays and promotes them among yacht captains and owners, internally and externally. While highlighting  on the capabilities of  various and different tourist destinations for neighboring and close to these marinas, in addition to preparing advertising materials from publications and others to review and introduce the advantages and technical specifications that each marina or port in Egypt enjoys.

An advertising campaign was also implemented about the single window for the Egyptian yacht tourism, which was launched by the Maritime Transport Sector at the Ministry of Transport, in which all concerned parties are represented for the purpose of simplifying procedures and obtaining security approvals, with an introduction to how to deal with this electronic portal, and planning to participate in many international events during The coming period will discuss yacht tourism in Italy, France and other countries.

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What's trending in superyacht technology?

Despite the omnipresence of today’s smartphones and gadgets, yachts have struggled to keep up with tech developments onshore. But that’s changing – and fast, as Risa Merl discovers the latest technology trends in the world of superyacht design.

When it comes to technology, we’ve never had it so good. From an ever-increasing range of gadgets and gizmos to the latest advances in connectivity, there’s more choice, and more exciting developments on the horizon than ever before – and that goes for the superyacht world, too. Owners want the same services – if not better – that they can access on land, and a handful of specialist firms are doing their best to meet consumer-driven demand on board. Yet, whether owners appreciate it or not, yachts have their own challenges when it comes to keeping up with tech’s constant progress. The middle of the ocean is one of the hardest – and most expensive – places to ensure fast and reliable broadband. And the three-year build time of a custom yacht is a challenge for suppliers and designers who need to think ahead and include the latest tech by the time the yacht is launched. Nonetheless, tech companies are rising to the challenge with an abundance of products to enhance onboard entertainment and security.

“Yacht guests want the same experience they have at home, so rock-solid and secure Wi-Fi is the first priority,” explains Videoworks CTO Maurizio Minossi, “and bigger internet pipes will be available within the next two years in order to allow 5G and new-generation VSAT [very small aperture terminal – a compact, two-way satellite antenna].” Super-fast connectivity is leading the charge, then, but there are plenty more developments in the pipeline too...

Streaming on superyachts

On-demand services such as Netflix and Amazon Prime have all heightened our expectations of how quickly we should get whatever we desire. We want it now, and that includes being able to watch the latest movies and television shows, wherever we are. Streaming services that work on land, however, haven’t always worked as efficiently on yachts, both in terms of reliable connectivity and price point, as Anil Thadani, owner of the world- roaming 45-metre Latitude reports. “The service I used before was horrible,” he says. “Connectivity was spotty, the speed was awful and it cost a lot more because they only gave us a limited amount – 30GB per month – for about $7,000 [£5,400], and if you exceeded that, the rates would be exorbitant.”

Thadani found a new service for Latitude that is working wonders. Switching over to Marine VSAT required a new satellite dome, which incurred upfront costs, but he says that the service has been so good that the initial pain was worth it. Now for a fixed cost of $5,000 per month he can stream Netflix in remote parts of Indonesia and watch CNN live on his iPad. He says the streaming isn’t always flawless, but overall it’s “good enough” and he hasn’t experienced any outages. For an extra $5,000 per month, Marine VSAT can guarantee flawless streaming and unlimited data. Meanwhile, London-based satellite communications company Inmarsat is set to launch seven new satellites into orbit by 2023, which will include extended 'always-on' coverage across the Arctic for those plotting a polar adventure.

For those who don’t want to rely on a data connection, Kaleidescape is also offering its new Marine Movie Service. Launched at the Monaco Yacht Show, it offers movie and music collections that arrive on a hard drive in a matter of days. One drive can hold up to 100 Blu-ray or 50 4K-quality movies, and customers (either a hands-on owner or a crew member) can have whichever titles they want pre-loaded on to it. The service also offers curated selections of new cinema releases, classic movies and kids’ favourites too.

It’s not the breadth of choice, however, but the quality of what’s on offer that companies are focusing on. “Ten years ago, yacht owners and captains were more concerned with how to get enough content,” says Cheena Srinivasan, founder and CEO of Kaleidescape. “Now there’s an overabundance of content, and we are trying to solve that problem through curation. Think of this as a white-glove concierge service. We’re bringing convenience via an end-to-end system through working with our marine integrators, so the yacht owners don’t have to worry about anything.”

Kaleidescape demonstrated its offerings during the boat show, dimming the lights on board the Tankoa yacht Solo and showing how vividly coloured and rich in sound a movie from its system is. Solo is beta-testing this brand new service, supported by 88 marine integrators worldwide who will install the hard drives to ensure quality control.

IT support at sea

Priva is another superyacht tech company that’s putting a focus on concierge services to reduce owner headaches – what good is expensive kit if it doesn’t work when you want to use it? Priva’s Technical Concierge is a 24/7 service that connects crew directly to expert audiovisual and technical support. Rather than getting passed around at a call centre, users will find that the first person to answer this hotline is a highly skilled technical expert, who will work with the captain or electronic technical officer to get the yacht’s tech back online and working right away.

“We want yacht owners to get the most out of every minute they spend on board,” says Cynthia Gillis, senior vice president at Global Eagle, the company behind Priva. “PRIVA and our 24/7 Technical Concierge service are tailored to our clients who want to be fully connected and access customized content from anywhere in the world. We have 50, high-touch, trained technicians and specialists dedicated to yacht customers who are available to address our clients’ specific technical needs without disrupting their onboard experience.”

Connectivity on demand

Of course, superyacht owners aren’t on board all the time, and charter yachts aren’t booked every week of the year, so onboard tech has to be scalable to suit their needs. “Flexibility is key when it comes to yacht connectivity,” says Peter Broadhurst, senior vice president at Inmarsat. Its latest generation of Global Xpress satellites were launched two years ago and allow for greater bandwidth. Inmarsat then tailored the service to the yachting industry with Fleet Xpress, which has since performed more than 10,000 installations.

The service allows owners and managers to scale bandwidth up and down, depending on usage and the number of people on board at any one time, and even allows clients to suspend their service in the off-season (or in case a worldwide pandemic leaves you on one side of the world and your yacht on the other). "We've introduced a lot more flexibility into our plans," Broadhurst explains, "the ability to upgrade and downgrade as and when you want, suspend the service, change the data rates and plans." Inmarsat data plans start from just three months.

Adaptability is also key when it comes to a yacht’s build. “One of the biggest challenges during any yacht project is that technology keeps evolving, and you don’t want a new yacht with old tech,” says Casper Kleiman of Dutch company VBH, which creates audio, video and IT products for new-build yachts as well as refits. VBH confirms that in the past systems needed to be connected physically, which added to the challenge of designing a yacht that needed to be up to date at launch three years down the line. But this is now changing thanks to software-based connections. “By using a flexible software-based backbone, it’s easier to connect new hardware later in the build,” Kleiman says. “We’ve used this on a recent 87-metre yacht.”

Once installed, technology also has to work within multipurpose spaces, which are becoming increasingly popular on board. A helideck might host yoga in the morning, a round of TopGolf in the afternoon and a live music performance, nightclub or movie under the stars come nightfall – and it still needs to be able to allow a helicopter to land if required. “Providing multifunctional areas and spaces that evolve throughout the day, including the main saloon and beach club, requires technology that can adapt from one experience or functionality to another,” says Alistair Levine, director of sales and marketing at California Audio Technology.

“This type of flexibility harnesses everything from video walls and audio systems to lighting control and motorised shades, so that you can manipulate the visual and auditory experience to suit your needs – but this level of functionality needs to be discussed at the design stage.”

Smartphone apps

In recent years we’ve become attached – some might argue addicted – to our smartphones, so it’s no surprise that we now want and expect them to control our onboard tech. As yacht automation streamlines into a “smart yacht” experience, clients and crew want to be able to control all the onboard systems from one easy-to-use location. Videoworks currently offers just this, integrating all of the yacht’s domotics and onboard systems into a single device. Instead of the popular Crestron remote control, owners might opt for a dedicated multi-service app that allows them to manage all of their systems from a smartphone. ItwModeX is an iOS app (a web version can be installed on Android) designed by Itworks exclusively for Videoworks, which can be customised with content and graphics to suit each yacht. “Multi-service apps can seamlessly integrate with the usual tools guests are familiar with, such as Kaleidescape,” says Minossi. “We use them in most of our projects.”

Yacht brokerage houses are also thinking more about mobile devices, as proven by the new Burgess app which allows users access to its services whether on or offline. “We want to allow our clients and potential customers access to Burgess yachts and content via whichever channel they prefer,” says Tim Davis, chief marketing officer at Burgess. “Our research shows that our target audience favours mobile devices [over laptops or desktop computers] to access our digital services. We have seen a good proportion of new prospects registering with Burgess via the app, as well as existing customers. Take-up has been encouraging – and we are planning an Android version.”

Cybersecurity

Superyachts can have all the latest kit, then. Yet while advances in audiovisual technology are impressive, having sufficient cybersecurity to keep onboard internet connections safe hasn’t become standard practice. “Research showed us that 64 per cent of superyachts rely on simple firewalls or crew-based solutions to protect against cyber risks – and 76 per cent don’t have anyone on board to look after cybersecurity,” says Rob Myers, senior director at Inmarsat. The company now offers its Fleet Secure End Point service to address this problem. It is designed to prevent cyberattacks, detect vulnerabilities and respond to threats – and the bandwidth used doesn’t come out of the yacht owner’s monthly allowance. "It's a pragmatic approach to security," says Broadhurst.

At the Marine Equipment Trade Show in Amsterdam, Videoworks introduced Cisco ASA 55066, a new dedicated onboard cybersecurity device. “Cisco ASA is a state-of-the-art cybersecurity product,” claims Minossi. The network security device incorporates threat- defence software, which allows for real-time identification and prevention of viruses and threats from the web. Several levels of security are permitted via a single platform, and it can also look at all network activity to see vulnerabilities in any apps or files, with an automated system assessing potential threats.

Emotional rooms

“The modern consumer is all about the experience that their technology delivers to them, not the underlying technology,” Levine says. “Millennials are starting to drive these conversations. Whether they are the children or grandchildren of the owners, they are far more willing to pay for exceptional experiences than things.” Meeting this demand is the rise of dynamic, interactive and so-called “emotional” tech on board, which is designed to enhance a guest’s experience.

Sacramento-based California Audio Technology creates “dynamic entertainment experiences”, and is looking to do more with less – including less equipment. The company is working on an audio specification that will allow onboard DJs or bands to be accompanied simply by their laptops or instruments without the need to bring on a bulky PA system, and the time and logistics that are required for set-up. Working with production company Blue International Talent, it is developing a marine system spec that will consider a yacht’s individual sound and lighting needs – however high-spec these might be. 

“Most audio systems in the marine space are designed to deliver low-level background audio, yet most stadiums don’t have the aesthetic integration possible that a yacht requires,” says Levine. “This specification will allow for a whole new range of experiences for both charter guests and owners, by giving them the opportunity to have everything from a stand-up comedian to a jazz trio to someone like Coldplay, David Guetta or Elton John playing a private concert on the back of their yacht in a remote part of the world.”

Meanwhile, VBH is focusing on setting the mood, and helping to create ever more extravagant examples of interactive bars, walls and hallways that can transform a superyacht space using content displayed on screens. “Instead of such screens only being used for showing movies or television shows, we can use them as integrative backgrounds,” says Kleiman. “They can add extra depth and meaning to a boat’s space.”

Perhaps as a much-needed salve to all this overload in technology, Videoworks has developed what it calls the Emotional Room, a system that utilises an algorithm on a neural network to assess the mood of the people in a space and adapt the lighting and music accordingly. Cameras in the room will scan guests’ faces to determine their emotions by mapping “points of interest” on their faces, such as the eyes, lips and cheekbones. The neural network will then learn how different settings – from lighting set-up and positions to music selection – in the room affect human emotions. This self-learning system evolves the more it’s used, and is designed to replicate conditions that it logs as the most pleasing.

Emotional Rooms will start appearing on yachts from late spring this year, including in a project with one of the top Italian builders. Not only is superyacht technology getting better at giving us what we want, it will soon be doing it without us even asking.

Safety first

With such enormous pieces of machinery sitting far from land, there's a certain risk factor that comes with the territory of yachting. And while the owner is busy soaking up the sunshine or entertaining guests of an evening, it's the role of the crew and captain to ensure safety at all times. "Don't run on the decks" springs to mind, but in reality, onboard safety goes far beyond the do's and don't of yachting etiquette. Inmarsat is currently trialling an IMO approved safety solution 'Fleet Safety', set for release later this year. "We've effectively brought safety communications into the 21st century," says Broadhurst. "If the vessel is in any danger then the crew have immediate access to secure communications. It's easier to use than what's currently out there, with greater functionality that will allow the crewmembers to feel confident in onboard safety equipment and communications. Inmarsat was set up to provide safety to seafarers and this is effectively the next generation of safety." 

This feature is taken from the March 2019 issue of BOAT International. Get this magazine sent straight to your door, or subscribe and never miss an issue.

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Miminat debut yacht design is by no means short on style.

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Isa unveils a trio of sleek new superyachts, wider yachts is debuting a 92-foot hybrid catamaran at the venice boat show—here’s a first look.

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K Superyacht Concept

Having worked on a myriad of residential and hospitality projects over the past few years, Miminat is adept at creating elegant interiors with contemporary decor, sculptural furniture, and statement lighting. K features all of the above and a sleek, stylish exterior. In contrast to the Japanese design influence, the vessel will reportedly display the finest Italian craftsmanship. As the studio puts it, K is “not only a vessel for art, but a masterpiece in and of itself.”

With an interior volume of approximately 300 GT, K offers a spacious interior with five cabins. The owner’s suite is positioned on the main deck, while a VIP and three doubles sit on the lower deck. The crew quarters are also located on the lower deck. Back on the main deck lies a salon with a Japanese-inspired lounge, a bar, and a dining area with a 10-seater table. A spiral staircase leads to a spacious upper deck with a helm and alfresco dining area.

K also offers luxurious hangouts forward and aft. The two-level aft deck centers around a singular infinity pool that waterfalls from one level to the next, while the bow is equipped with a plush lounge and firepit.

Miminat says “various engine options” will give K a maximum speed of 25 knots and a cruising speed of 16 knots. It is hard to imagine the yacht will be overly practical in tumultuous waters—especially given her scant hardtop, hull cutouts, and exposed aft deck—but, hey, at least she’ll look pretty.

Click here to see all the photos of K.

K Superyacht Concept

Rachel Cormack is a digital editor at Robb Report. She cut her teeth writing for HuffPost, Concrete Playground, and several other online publications in Australia, before moving to New York at the…

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SuperYacht knowledge Magazine Highlights Egypt's Capabilities in Yacht Tourism

Egypt to Boost Yacht Tourism

The latest edition of SuperYachtknowledge, a British magazine that exclusively focuses on the yacht tourism industry, has featured a special file about Egypt and its potential for yacht tourism. 

This came after the Egyptian General Authority for Tourism Promotion collaborated with the magazine to promote yacht tourism in Egypt, in accordance with the directives of President Abdel Fattah ElSisi to boost this industry.

The renowned magazine, which is distributed frequently to yacht owners and captains globally, sheds light on the introductory visit organized by the Authority last February. The visit hosted a group of captains, yacht captains, and journalists specialized in yacht tourism. 

The magazine also features the historic superyacht “El Mahrousa ”, which is the oldest in the world. The writer devotes an entire section to this yacht, built in 1864 by order of Khedive Ismail for the opening of the Suez Canal celebrations. 

In addition to the yacht, the magazine reviews various tourist cities, museums, and archaeological sites in Egypt visited by the delegation. These include the Grand Egyptian Museum, the National Museum of Egyptian Civilization (NEMC), the Giza Pyramids area, the Valley of the Kings area in Luxor, and the iconic temples of Edfu, Kom Ombo, and Philae in Aswan.

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The Power of Sports on Local Broadcast TV

By Hadassa Gerber     May 18, 2024    

A survey of over 5,000 adults by Dynata Research reveals that linear TV is the preferred medium for viewing sports, demonstrating the significant influence of local broadcast TV on sports viewership and advertising impact.

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Smithsonian Voices

From the Smithsonian Museums

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Explore Amazing Contributions Made by Asian Americans and Pacific Islanders with Four Smithsonian Stories

Celebrate Asian American, Native Hawaiian, and Pacific Islander Heritage Month with Smithsonian objects

Theodore S. Gonzalves

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Since 1997, the US Census Bureau has understood the need to identify the distinct experiences between Asian Americans (“person[s] having origins in any of the original peoples of the Far East, Southeast Asia, or the Indian subcontinent”) and Native Hawaiians or other Pacific Islanders (or “person[s] having origins in any of the original peoples of Hawai‘i, Guam, Samoa, or other Pacific Islands”). Their histories in the Americas have been centuries in the making, and Smithsonian Asian Pacific American History, Art, and Culture in 101 Objects offers a window into the expanse of those stories. Today, we invite you into its pages with four amazing objects and stories.

1. Duke Kahanamoku’s Surfboard

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Born to a prominent family with direct ties to Hawaiian royalty, Duke Paoa Kahinu Moke Hulikohola Kahanamoku (1890–1968) advanced the world’s knowledge about surfing, a Pacific Islander practice dating back at least 1,500 years. 

In his early twenties, Kahanamoku’s powerful swimming earned him an Olympic gold medal at the 1912 games in Stockholm for the 100-meter freestyle. Along with his two other Olympics appearances in 1920 and 1924, Kahanamoku would win a total of five medals—three gold and two silver. 

With his international visits, especially to Australia and the United States, he became a cultural ambassador for surfing, helping to popularize it throughout the world. During a period of legalized segregation, he encountered racist treatment during his trip to the American South, which he met with his characteristic dignity and grace. Kahanamoku’s presence couldn’t be contained by America’s race codes. His celebrity continued to grow, as offers came to appear in more than a dozen films.

A year before he won his first gold medal, Kahanamoku penned an essay titled “Riding the Surfboard” in the inaugural issue of Mid-Pacific Magazine . He used powerful imagery to ask the reader: “How would you like to stand like a god before the crest of a monster billow, always rushing to the bottom of a hill and never reaching its base, and to come rushing in for half a mile at express speed, in graceful attitude, of course, until you reach the beach and step easily from the wave to the strand?”

According to Paul Burnett, coauthor of Surfing Newport Beach: The Glory Days of Corona del Mar , this board is connected to a fantastic story. The dramatic event took place on June 14, 1925. The forty-foot fishing yacht, Thelma , capsized off the coast of Newport Beach, California. Kahanamoku and six others, including Vultee, jumped into action. While five persons drowned, twelve were rescued. Kahanamoku’s friends pulled four to safety while he was personally responsible for saving the lives of eight people over the course of three trips. A local police captain told the Los Angeles Times , “Duke’s performance was the most superhuman rescue act and the finest display of surfboard riding that has ever been seen in the world.” When asked how Kahanamoku accomplished the feat, Duke said: “I do not know. It was done. That is the main thing. By a few tricks, perhaps.” This board was used in what has come to be known as the Great Rescue of 1925. —Theodore S. Gonzalves

2. Stella Abrera's Ballet Shoes

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In 1996, at the age of seventeen, Abrera joined ABT as an apprentice after a successful audition. She would go on to rise in the ranks at ABT, earning the role of principal in 2015—the first Filipina American ballerina in the company to do so. However, Abrera’s journey to becoming principal was not conventional, nor was it easy. Abrera was promoted to soloist in 2001, but a serious sciatic nerve injury in 2008 took Abrera out of dancing for two years. Abrera recalls the difficulty of recovery and having to relearn the way she danced at the age of thirty.

Fortunately, Abrera was able to return as a soloist, and she saw her recovery as a miracle. She recalled in an interview that the announcement of her promotion to principal was “magic,” where all the struggles and triumphs she faced in the years leading up to that point were a “gift." Abrera remained with ABT until her retirement in 2020.

The ballet shoes shown here were worn by Abrera in an October 2017 production of Daphnis et Chloé. The shoes would have been worn for rehearsals for this show and likely for only one performance, perhaps two. They have been “pancaked” to match Abrera’s skin tone. Dancers often coat their pointe shoes with makeup, known as pancaking, when they are not wearing tights, in order for the shoes to match their skin color. The process varies for each dancer, but it usually involves applying a thin layer to the shoe to cover up the shine, which can take up to ten to fifteen minutes when done with care.

Abrera’s shoes are reflective of ABT’s effort to promote diversity in the company. Speaking about the significance of her role as principal to young Asian American women, Abrera mentions how much representation matters. People of different skin colors are actively being encouraged to be part of ballet, and companies continue to evolve to attract diverse performers and audiences. —Thanh Lieu

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Smithsonian Asian Pacific American History, Art, and Culture in 101 Objects

A rich and compelling introduction to the history of Asian Pacific American communities as told through 101 objects, from a fortune cookie baking mold to the debut Ms. Marvel comic featuring Kamala Khan

3. Hari Govind Govil's Patent

Govil’s 1937 patent would eventually allow Linotype machines to print Devanagari, a dominant script of South Asia that, by 1950, would be considered the official script of the Union of India. Newspaper articles hailed this development as a stride for increasing the literacy of one-sixth of the world’s population. Before the era of computers, machines like the Linotype were the key to advancing knowledge through the printed word. But before this achievement could take place, Govil had to embark on a journey far from home.

As a university student in Benares, Govil was ambitious, but unhappy with the traditional style of education in India. He decided to travel to the United States, hoping to benefit from what he viewed as a more flexible and innovative culture. In the process, his perspective on India and its connections to the West gained both depth and breadth.

The 1917 Immigration Act passed by Congress created a large “Asiatic barred zone” stretching from the Middle East to Southeast Asia in order to exclude South Asians from migrating to the United States. The act made exceptions for certain professions as well as for students, allowing Govil to make his way.

Soon after his arrival in the US in 1920, Govil began several years of correspondence with his hero back home, Mohandas Gandhi, who had been sharpening the tactics of nonviolent noncooperation against the British. In 1922, Gandhi provided encouragement to the young student: “Every worker abroad [such as yourself] who endeavors to study the movement and interpret it correctly helps it.”

Govil secured a position at the Mergenthaler Linotype Company in New York, and became fascinated with the technology—both its potential to enhance education and the written arts, and to facilitate cultural and political exchange. Govil designed his type with interchangeable parts, so that it could be used to compose text in related South Asian languages, such as Hindi, Gujarat, Bengali, Behari, Nepali, and Jaina.

Govil became a proponent for Indian nationalism. Soon after he received the note from Gandhi, Govil penned an editorial for an American audience, announcing that a new chapter of world history would be marked by the Indians’ adoption of Gandhian nonviolence.

In 1924, Govil established the India Society of America, Inc., in New York City, surrounding himself with support from an impressive cross section of advisors, including missionary/educator Sidney L. Gulick, ACLU cofounder Jane Addams, choreographer Ruth St. Denis, journalist Heywood Broun, NAACP cofounder Oswald Garrison Villard, and philosopher/education reformer John Dewey, among many others. With Govil at the helm, the society launched several well-publicized activities “to promote cultural relations between India and America,” including lectures, receptions, art exhibits, film screenings, radio programming, and publications.

Writing for the Hindustan Review at the society’s founding, a fellow Indian nationalist, V. V. Oak—also living in the United States at the time—suggested that Govil’s tactical use of culture and the arts was the right means to achieve the ends of Indian nationalism.

In 1929, Govil appeared to echo Oak’s sentiments by observing that India’s “spiritual achievement” was just as significant as any scientific achievement by the West. The creation of a simple font forged the link he sought. In the same year that Govil applied for his patent, the Times of India quoted his aims: to create a “uniform method of writing, and I think this would wield her [India] together.” —Theodore S. Gonzalves

None

Their staple article of diet was boiled rice, but they were by no means averse to fish, flesh and fowl, when they could get them. Their cooking was generally performed in broad pans, which they turned one above the other, in case they wished to keep the steam inside. When their meals were ready they squatted on the ground, and performed some very lively work with their chopsticks. For an inexperienced person to eat rice with chopsticks is much like taking soup with a fork; but a Chinese finds no difficulty in getting a large quantity down his throat, and at a very rapid rate.

In the background of Becker’s image, two tents are set up with a person setting up a third. The cook is in the foreground, tending to two large woks, both set directly on the ground with fires beneath. One is covered, most likely to steam vegetables. The other appears to be filled with fish perhaps caught in a nearby lake, arranged in a single layer. He’s keeping an eye on his shallow frying, with a spatula in his left hand.

The skills that the cooks developed out on those remote camps became essential for the thousands of others who would continue their journeys across the Pacific. Decades later, many of those experiences were distilled into guidebooks published in Chinese American communities like Cui Tongyue’s Hua Ying Chu Shu Da Quan (Chinese English Comprehensive Cookbook). As historian Yong Chen explains, this was more than a travel guide for the casual visitor. A book like this functioned like an atlas for newcomers, including tips for how to travel by rail or steamship, recipes for American dishes, a glossary of food words, and simulated dialogues for how to negotiate a higher wage. For example, here’s an exchange from Tongyue’s “cookbook.”

A: “Twenty-five dollars. That is not enough for me.”

A: “Forty-five dollars.”

Smithsonian Asian Pacific American History, Art, and Culture in 101 Objects  edited by Theodore S. Gonzalves is available from Smithsonian Books. Visit  Smithsonian Books’ website  to learn more about its publications and a full list of titles. 

Excerpt from  Smithsonian Asian Pacific American History, Art, and Culture in 101 Objects  © 2023 by Smithsonian Institution

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St. Mary’s College of Maryland Graduates 356 at 2024 Commencement

Graduates in cap & gown carrying diplomas

St. Mary’s College of Maryland, the National Public Honors College, graduated 356 students with Bachelor of Arts, Bachelor of Science and Master of Arts in Teaching degrees on Saturday, May 11, outdoors on the campus’ Townhouse Green. 

Maryland’s longest-serving member of the U.S. House of Representatives, Congressman Steny H. Hoyer (D-MD 5th) delivered the keynote address. In his message to the College's newest alumni, he spoke of the impact the pandemic had on this class of students and the significance of the class of 2024 being together amongst family, friends, faculty and staff for the commencement exercises. He said he brought up the pandemic not to focus on what was lost but to reflect on what was gained.

"For while your generation knows better than any other the pain of being apart, you also know better than any other the joy that comes with joining together," Hoyer said. "Because you felt the sorrow of separation, you understand the importance of inclusion.You saw the devastation of distance, and now you have special appreciation for the pleasure of proximity." 

Hoyer received an honorary degree from St. Mary’s College in 1993, at his first appearance as commencement speaker. Hoyer also spoke before the class of 2007.

President Tuajuanda C. Jordan, accompanied by Board of Trustees Chair Susan Dyer, presented an honorary degree to national higher education leader Lynn Pasquerella. 

Since 2016, Pasquerella has been president of the American Association of Colleges and Universities (AAC&U). Prior to her position as president of AAC&U, she was president of Mount Holyoke College; provost at the University of Hartford; and vice provost for academic affairs and dean of the graduate school at the University of Rhode Island, where she taught for more than 20 years.

She earned her PhD in philosophy from Brown University; undergraduate degree from Mount Holyoke College; and associate of arts degree from Quinebaug Valley Community College. 

President Jordan had one request for the Class of 2024. “Recognize and understand the society into which you are now venturing. Give back. Remember the people who have not had the same opportunity, the same blessings, the same education you have. Live the St. Mary’s Way.”

The College’s newest alumni heard from one of the five class valedictorians. The valedictorians were: Sabrina Kuhn, Laura McCarty, Margaret Neuman, Angelie Roche and Ben Springer.

Kuhn was selected to address the class via lottery. She spoke of how she and many classmates grew into adulthood during a time of “great uncertainty,” speaking of experiencing that transition amidst a global pandemic. “The fact that we all made it to graduation here today is a testament to the resilience of our generation,” Kuhn said. Kuhn charged the class to “go forward courageously, armed with knowledge and compassion from your time here, to make the world a better place.”

President Jordan recognized six faculty who retired this year: Karen Crawford, professor of biology; David Ellsworth, associate professor of film and media studies; Rachel Myerowitz, professor of biology; Elizabeth Osborn, professor of sociology; Larry Vote, professor of music; and Christine Wooley, professor of English. Collectively, these retirees represent 161 years of teaching. 

The commencement was live-streamed on the College’s website. 

About the Valedictorians  

Sabrina Kuhn

is a math major and educational studies minor. Vice president of the Wrestling Club, assistant music director of InterChorus, and a choreographer for Dance Club, Kuhn will join the 2025 cohort of the MAT Program.

Laura McCarty

is an anthropology major with a concentration in archaeology and minors in museum studies and history. McCarty is a member of the Phi Beta Kappa and Lambda Alpha honors societies as well as the Anthropology Club and Climbing Club. Before pursing graduate studies, McCarty plans to work in archaeology. 

Margaret Neuman

is an English major. A member of Phi Beta Kappa and Sigma Tau Delta honor societies and a previous winner of the English Department Award, the Dean’s Award and the Calculus Prize, Neuman has served as a peer tutor for the Writing and Speaking Center and French. After graduation, Neuman will work in France as an English teaching assistant. Long-term, Neuman plans a career in editing and publishing.

Angelie Roche

is a psychology major with a minor in educational studies. Roche served as editor-in-chief of The Point News, a peer health educator, a writing tutor and a student representative on the JED Campus Steering Committee. A member of the Phi Beta Kappa and Psi Chi honors societies, Roche will work as an assistant teacher at the Katherine Thomas School and intern at the University of Maryland's TOGETHER lab before pursuing a graduate degree in family therapy.

Ben Springer

is an environmental studies major with a minor in biology. A member of Phi Beta Kappa honor society, the Music Club and the Southern Maryland Audubon Society. Springer plans a career in bird and habitat conservation. 

Attorney argues before the Maryland Supreme Court

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