8 essential yacht rock albums

• facebook-rs

Yacht Rock: Album Guide

By David Browne

David Browne

Summer’s here and time is right for dancing … on the deck of a large nautical vessel. During the late Seventies and early Eighties, the radio was dominated by silver-tongued white-dude crooners with names like Rupert and Gerry, emoting over balmy R&B beats, swaying saxes, and dishwasher-clean arrangements. Though it didn’t have a name, the genre — soft rock you could dance to — was dismissed by serious rock fans as fluffy and lame. But thanks to a web series in the mid-2000s, the style — belatedly named “ yacht rock ” — has since spawned a satellite-radio channel, tribute bands, and a Weezer cover of Toto’s “Africa.” Is the modern love of the music ironic or sincere? Hard to say, yet there’s no denying yacht rock is a legit sound with a vibe all its own that produced a surprising amount of enduring music perfectly at home in summer. (John Mayer even tips his own sailor’s hat to the genre on his new “Last Train Home” single, and even the aqua-blue cover of his upcoming Sob Rock album.) The resumption of the Doobie Brothers’ 50th anniversary tour, postponed last year due to COVID-19 but scheduled to restart in August, is the cherry atop the Pina colada.

Boz Scaggs, Silk Degrees (1976)

Before yacht rock was an identifiable genre, Scaggs (no fan of the term, as he told Rolling Stone in 2018) set the standard for what was to come: sharp-dressed white soul, burnished ballads that evoked wine with a quiet dinner, and splashes of Me Decade decadence (the narrator of the pumped “Lido Shuffle” is setting up one more score before leaving the country). Add in the Philly Soul homage “What Can I Say,” the burbling life-on-the-streets homage “Lowdown,” and the lush sway of “Georgia,” and Silk Degrees , internationally or not, set a new high bar for Seventies smoothness.

Steely Dan, Aja (1977)

The sophisticated high-water mark of yacht, Donald Fagen and Walter Becker’s masterpiece is the midway point between jazz and pop, with tricky tempo shifts, interlocking horn and keyboard parts, and pristine solos. Not settling for easygoing period clichés, these love songs, so to speak, are populated by a sleazy movie director (the gorgeous rush of “Peg”), a loser who still hopes to be a jazzman even if the odds are against him (the heart-tugging “Deacon Blues”), and a guy whose nodding-out girlfriend is probably a junkie (“Black Cow”). The most subversive cruise you’ll ever take.

The Doobie Brothers, Minute by Minute (1978)

The Doobies got their start as a biker-y boogie band, but they smoothed things out for Minute by Minute . Highlighted by “What a Fool Believes,” the unstoppable Michael McDonald-Kenny Loggins co-write, the LP piles on romantic turmoil, falsetto harmonies, and plenty of spongy electric piano. But it also proves how much personality and muscle the Doobies could bring to what could be a generic sound. McDonald’s husky, sensitive-guy delivery shrouds the unexpectedly bitter title song (“You will stay just to watch me, darlin’/Wilt away on lies from you”)  and honoring their biker roots, “Don’t Stop to Watch the Wheels” is about taking a lady friend for a ride on your hog.

Editor’s picks

The 250 greatest guitarists of all time, the 500 greatest albums of all time, the 50 worst decisions in movie history, every awful thing trump has promised to do in a second term.

Further Listening

Seals & crofts, get closer (1976).

The Dylan-goes-electric moment of yacht, “Get Closer” validated the idea that folkie singer-songwriters could put aside their guitars (and mandolin), tap into their R&B side and cross over in ways they never imagined. In addition to the surprising seductiveness of the title hit, Get Closer has plenty of yacht-rock pleasures. In “Goodbye Old Buddies,” the narrator informs his pals that he can’t hang out anymore now that he’s met “a certain young lady,” but in the next song, “Baby Blue,” another woman is told, “There’s an old friend in me/Tellin’ me I gotta be free.” A good captain follows the tide where it takes him.

Christopher Cross, Christopher Cross  (1979)

Cross’ debut swept the 1981 Grammys for a reason: It’s that rare yacht-rock album that’s graceful, earnest, and utterly lacking in smarm. Songs like the politely seductive “Say You’ll Be Mine” and the forlorn “Never Be the Same” have an elegant pop classicism, and the yacht anthem “Sailing” could be called a powered-down ballad. Fueled by a McDonald cameo expertly parodied on SCTV , the propulsive “Ride Like the Wind” sneaks raw outlaw lyrics (“Lived nine lives/Gunned down ten”) into its breezy groove, perfecting the short-lived gangster-yacht subgenre.

Rupert Holmes, Partners in Crime (1979)

The album that made Holmes a soft-rock star is known for “Escape (The Piña Colada Song),” which sports a made-for-karaoke chorus and a plot twist worthy of a wide-collar O. Henry. But what distinguishes the album is the Steely Dan-level musicianship and Holmes’ ambitious story songs, each sung with Manilow-esque exuberance. The title track equates a hooker and her john to co-workers at a department store, “Lunch Hour” ventures into afternoon-delight territory, and “Answering Machine” finds a conflicted couple trading messages but continually being cut off by those old-school devices.

Steely Dan, Gaucho (1980)

The Dan’s last studio album before a lengthy hiatus doesn’t have the consistency of Aja, but Gaucho cleverly matches their most vacuum-sealed music with their most sordid and pathetic cast of characters. A seedy older guy tries to pick up younger women in “Hey Nineteen,” another loser goes in search of a ménage à trois in “Babylon Sisters,” a coke dealer delivers to a basketball star in “Glamour Profession,” and the narrator of “Time Out of Mind” just wants another heroin high. It’s the dark side of the yacht.

Going Deeper

Michael mcdonald, if that’s what it takes  (1982).

Imagine a Doobie Brothers album entirely comprised of McDonald songs and shorn of pesky guitar solos or Patrick Simmons rockers, and you have a sense of McDonald’s first and best post-Doobs album. If That’s What it Takes builds on the approach he nailed on “What a Fool Believes” but amps up the sullen-R&B side of Mac’s music. His brooding remake of Lieber and Stoller’s “I Keep Forgettin’” is peak McDonald and the title track approaches the propulsion of Christopher Cross’ “Ride Like the Wind.” With his sad-sack intensity, McDonald sounds like guy at a seaside resort chewing over his mistakes and regrets – with, naturally, the aid of an electric piano.

Related Stories

Yacht rock babylon, christina applegate details 'pretty bad' ms relapse on 'messy' podcast.

Kenny Loggins, Keep the Fire (1979)

Loggins’ journey from granola folk rocker to pleasure-boat captain embodies the way rock grew more polished as the Seventies wore on. Anchored by the percolating-coffeemaker rhythms and modestly aggro delivery of “This Is It,” another McDonald collaboration, Keep the Fire sets Loggins’ feathery voice to smooth-jazz saxes and R&B beats, and Michael Jackson harmonies beef up the soul quotient in “Who’s Right, Who’s Wrong.” The secret highlight is “Will It Last,” one of the sneakiest yacht tracks ever, fading to a finish after four minutes, then revving back up with some sweet George Harrison-style slide guitar.

Dr. Hook, Sometimes You Win  (1979)

Earlier in the Seventies, these jokesters established themselves with novelty hits like “The Cover of ‘Rolling Stone,’’ but they soon paddled over to unabashed disco-yacht. Sometimes You Win features three of their oiliest ear worms: “Sexy Eyes,” “When You’re in Love with a Beautiful Woman” and “Better Love Next Time,” all oozing suburban pickup bars and the somewhat desperate dudes who hang out there. The album, alas, does not include “Sharing the Night Together,” recently reborn by way of its sardonic use in last year’s Breaking Bad spinoff El Camino .

Carly Simon, Boys in the Trees  (1978)

As a trailblazing female singer-songwriter, Simon was already a star by the time yacht launched. Boys in the Trees features her beguiling contribution to the genre, “You Belong to Me,” a collaboration with the ubiquitous Michael McDonald. The Doobies cut it first, but Simon’s version adds an air of yearning and hushed desperation that makes it definitive. The album also packs in a yacht-soul cover of James Taylor’s “One Man Woman” and a “lullaby for a wide-eyed guy” called “Tranquillo (Melt My Heart),” all proving that men didn’t have a stranglehold on this style.

Anchors Aweigh

More smooth hits for your next high-seas adventure.

“BREEZIN’”

George Benson, 1976

The guitarist and Jehovah’s Witness made the leap from midlevel jazz act to crossover pop star with a windswept instrumental that conveys the yacht spirit as much as any vocal performance.

“WHATCHA GONNA DO?”

Pablo Cruise, 1976

Carefree bounce from a San Francisco band with the best name ever for a soft-rock act — named, fittingly, after a chill Colorado buddy.

“BAKER STREET”

Gerry Rafferty, 1978

Rafferty brought a deep sense of lonely-walk-by-the-bay melancholy to this epic retelling of a night on the town, in which Raphael Ravenscroft’s immortal sax awakens Rafferty from his morning-after hangover.

“REMINISCING”

Little River Band, 1978

The Aussie soft rockers delivered a slurpy valentine sung in the voice of an old man looking back on his “lifetime plan” with his wife. Innovative twist: flugelhorn solo instead of sax.

“WHENEVER I CALL YOU ‘FRIEND’ ”

Kenny Loggins and Stevie Nicks, 1978

After its ethereal intro, this rare genre duet grows friskier with each verse, with both Loggins and Nicks getting more audibly caught up in the groove — and the idea of “sweet love showing us a heavenly light.”

“LOTTA LOVE”

Nicolette Larson, 1978

Neil Young’s sad-boy shuffle is transformed into a luscious slice of lounge pop by the late Larson. Adding an extra layer of poignancy, she was in a relationship with Young around that time.

“STEAL AWAY”

Robbie Dupree, 1980

Is it real, or is it McDonald? Actually, it’s the best Doobies knockoff — a rinky-dink (but ingratiating) distant cousin to “What a Fool Believes” that almost inspired McDonald to take legal action.

“TAKE IT EASY”

Archie James Cavanaugh, 1980

Cult rarity by the late Alaskan singer-songwriter that crams in everything you’d want in a yacht song: disco-leaning bass, smooth-jazz guitar, sax, and a lyric that lives up to its title even more than the same-titled Eagles song.

“BIGGEST PART OF ME”

Ambrosia, 1980

Ditching the prog-classical leanings of earlier albums, this trio headed straight for the middle of the waterway with this Doobies-lite smash. Bonus points for lyrics that reference a “lazy river.”

“I CAN’T GO FOR THAT (NO CAN DO)”

Daryl Hall and John Oates, 1981

The once unstoppable blue-eyed soul duo were never pure yacht, but the easy-rolling beats and shiny sax in this Number One hit got close. Hall adds sexual tension by never specifying exactly what he can’t go for.

“COOL NIGHT”

Paul Davis, 1981

The Mississippi crooner-songwriter gives a master class on how to heat up a stalled romance: Pick a brisk evening, invite a female acquaintance over, and suggest . . . lighting a fire.

“KEY LARGO”

Bertie Higgins, 1981

Yacht’s very own novelty hit is corny but deserves props for quoting from not one but two Humphrey Bogart films ( Key Largo and Casablanca ).

“AFRICA”

The same year that members of Toto did session work on Michael Jackson’s Thriller, they released the Mount Kilimanjaro of late-yacht hits.

“SOUTHERN CROSS”

Crosby, Stills, and Nash, 1982

The combustible trio’s gusty contribution to the genre has choppy-water rhythms and enough nautical terminology for a sailing manual.

What to Know Before Visiting Coachella 2024: Our Full Festival Guide

• Coachella Checklist
• By Oscar Hartzog

Hear Bleachers Put a Ghostly Spin on Classic Show Tune 'Almost Like Being in Love'

• great american songbook
• By Daniel Kreps

On 'American Primitive,' the Old 97's Just Want You to Enjoy Life for 41 Minutes

• ALBUM REVIEW
• By Kory Grow

Experts Needed: Harry Styles' Hometown Is Hiring 'Harry's Home Village' Tour Guides

• By Larisha Paul

Jack Daniel’s Presenta: ‘Musicians on Musicians Latino’ with Myke Towers and Ovy on the Drums

• By Rolling Stone

Most Popular

Chance perdomo, 'gen v' and 'chilling adventures of sabrina' star, dies at 27, chance perdomo, 'chilling adventures of sabrina' and 'gen v' star, dies at 27, touré says diddy terminated his cousin's internship after refusing to sleep with him, barron trump’s super-rare outing with dad donald may show why we never see them together, you might also like, disney board showdown: what’s at stake at contentious 2024 shareholder meeting, kirsten dunst embraces quiet luxury trend in velvet rodarte dress with ruffles for ‘civil war’ red carpet screening, this best-selling under-desk walking pad is over $100 off on amazon today, robert rodriguez corrects danny trejo: ‘i retain all the rights’ to ‘machete’, angel reese to leave lsu, enter wnba draft.

Rolling Stone is a part of Penske Media Corporation. © 2024 Rolling Stone, LLC. All rights reserved.

Verify it's you

Please log in.

A beginner’s guide to yacht rock in five essential albums

Yacht rock, soft rock – call it what you will. Here are five brilliant albums that define the genre in all its bearded, Hawaiian shirted glory

Was there really ever a genre called yacht rock ? Prior to the 2005 online comedy series of the same name, what we now know of as yacht rock was simply soft rock, largely of the 1970s variety, but occasionally dipping into the 80s as well. It was music that was smooth, slick and did little to challenge the listener in the way that heavy metal or punk rock would. Yet  sold in the multi-millions, made superstars of its creators, and was beloved by industry professionals for the stellar musicianship and high production values. And above all, it was detested by the critics.

Today, yacht rock is the ultimate guilty pleasure genre. Its patron saints - almost exclusively men, generally bearded – never appeared on posters that graced adolescents’ walls. Yet bands and artists such as The Doobie Brothers , Loggins & Messina and Christopher Cross made sweet, soulful music featuring some of the finest musicians of the era and sounding so, so perfect in the process.

Unlike prog, hair metal or krautrock, the boundaries of what constitutes yacht rock are blurred. There’s little to link the jazzy noodlings of Steely Dan , Boz Scaggs’ smooth pop and the later, 80s pop-rock of Hall & Oates beyond the fact that the various members of Toto appeared on many of these albums, making them kind of a yacht rock mafia.

Yacht rock, soft rock, call it what you will: the men who made it are laughing all the way to the bank in their Hawaiian shirts and well-sculpted facial hair while the rest of us celebrate their music in all its frictionless glory. Critics be damned, these are the five essential yacht rock albums for those who want to plunge into the genre.

Loggins & Messina - Full Sail (1973)

Kenny Loggins was a boyish-looking yet handsomely bearded fellow with a penchant for country-esque ballads. Jim Messina had been in Buffalo Springfield and country rockers Poco . The pair teamed up to record some of Loggins’ material and ended up becoming an unlikely success story, notching up hits with  1971 single The House At Pooh Corner and the following year’s Your Mama Don’t Dance , later covered by hair metallers Poison.

But 1973’s Full Sail was their apex. Featuring the ultimate yacht rock album cover (two men, one yacht), the album itself contains everything from the calypso frivolity of Lahaina , and the smooth jazz of Travellin’ Blues to the joyously upbeat My Music and hit ballad Watching The River Run . This is yacht rock’s ground zero. Boys, what did you unleash?

Boz Scaggs - Silk Degrees (1976)

An early member of the Steve Miller Band , guitarist and vocalist Boz Scaggs’ solo career had begun 1969. But nothing had clicked with the record buying public until he hooked up with David Paich, Jeff Porcaro and David Hungate, all of whom were on the verge of forming Toto , and recorded his seventh solo album, Silk Degrees . A masterful mix of smooth pop and slick ballads, it spawned hits in the shape of It’s Over , Lowdown , We’re All Alone (made famous by Rita Coolidge) and the pulsating Lido Shuffle , a bona fide dancefloor filler.

Classic Rock Newsletter

Sign up below to get the latest from Classic Rock, plus exclusive special offers, direct to your inbox!

Steely Dan - Aja (1977)

Arguments rage as to whether these protagonists of achingly cool and clever jazz rock belong in the yacht rock genre, but hey, if the people who made the Yacht Rock online series say the are, who are we to argue?

Their sixth album, Aja , saw Walter Becker and Donald Fagan stretching out into longer form pieces of music that were funkier and jazzier than they’d ever been before, capping it off with one of the most pristine production jobs ever – such were their levels of perfectionism that six crack session guitarists tried and failed to lay down the guitar solo on Peg to their satisfaction (it was the seventh, Jay Graydon, who nailed it). Bonus yacht rock points: auxiliary Dan backing vocalist/keyboard player Michael McDonald was also a member of The Doobie Brothers.

The Doobie Brothers – Minute By Minute (1978)

In 1974, Steely Dan guitarist Jeff ‘Skunk’ Baxter moved across to hugely successful blues rockers The Doobie Brothers on a free transfer. The following year, he suggested recruiting Dan backing singer/pianist Michael McDonald as a replacement for the Doobies’ ailing guitarist/vocalist Tom Johnstone.

With his blue-eyed soul croon and knack for writing uptempo R&B-infused songs, McDonald helped nudge the band towards smoother waters. By 1978’s Minute By Minute , they had fully transformed from moustachioed chooglers into yacht rock kingpins. The album’s blend of soft rock and R&B reached its apotheosis on the majestic What A Fool Believes – co-written with Kenny Loggins, naturally – which ultimately helped turn McDonald into a bigger star than the band. For the record, the singer’s 1986 Sweet Freedom compilation is also yacht rock gold.

Christopher Cross - Christopher Cross (1979)

When Christopher Cross released his self-titled debut album in December 1979, no-one knew who he was. A year later, he’d racked up four Top 20 hits and swept the boards at the Grammy Awards.

It’s not hard to see why: Cross’ spectacular voice was matched by the brilliance of his songs. Everyone knows Ride Like The Wind , featuring that Michael McDonald fella on backing vocals, but it was the mellower Sailing that hit the No. 1 spot ( Ride… only managed No. 2). A year later Cross’ theme to the movie Arthur won him and co-writer Burt Bacharach an Oscar.

Cross was no slouch as a musician either: Steely Dan had asked him to play on their albums and he even filled in for a sick Ritchie Blackmore at a Deep Purple US show back in 1970.

Writer and broadcaster Jerry Ewing is the Editor of Prog Magazine which he founded for Future Publishing in 2009. He grew up in Sydney and began his writing career in London for Metal Forces magazine in 1989. He has since written for Metal Hammer, Maxim, Vox, Stuff and Bizarre magazines, among others. He created and edited Classic Rock Magazine for Dennis Publishing in 1998 and is the author of a variety of books on both music and sport, including Wonderous Stories; A Journey Through The Landscape Of Progressive Rock.

Taylor McCall studied wildlife management at university: Now he writes deeply personal songs inspired by the Vietnam War and tours with Robert Plant

"I ordered Chinese food and beer for them, and we just sat there and talked": Metallica, Ride The Lightning, and the meal that got them signed

“I don’t like praise. ‘This record is flawed and has good intentions, but I look forward to something better’ – that’s a great review”: Richard Thompson doesn’t believe in the ‘perfect album’

Most Popular

By Paul Brannigan 2 April 2024

By Dave Ling 2 April 2024

By Fraser Lewry 2 April 2024

By Ian Fortnam 2 April 2024

By Paul Rees 2 April 2024

By Paul Brannigan 1 April 2024

By Zoya Raza-Sheikh 1 April 2024

By Rob Hughes 1 April 2024

By Niall Doherty 1 April 2024

By Malcolm Dome 1 April 2024

By Dave Everley 1 April 2024

Save 10% Sitewide! Code: SPRING10

Sailing: 10 Essential Yacht Rock Albums to Own as Vinyl Records

The sun is out, the wind is in your hair, and the smell of salty sea air permeates. It's the time of year that's practically begging you to drop the needle on some good old yacht rock . What is yacht rock, anyway? It's a bit difficult to define, but if the vibes are gentle, the guitars are mellow, and the vocals are buttery smooth, odds are you're listening to yacht rock. Yacht rock is experiencing something of a renaissance in popularity without much of a need or effort to reproduce it. There's something about Kenny Loggins with the windows down that just hits in a way that can't be replicated. As we get summer rolling, here's a list of essential yacht rock albums. 

Christopher Cross (1979) — Christopher Cross

Christopher Cross really helped to define the genre with his self-titled debut, right down to the pink flamingo on the cover. The album contains two of Cross' biggest hits, "Sailing" and "Ride Like the Wind," both staples of late '70s soft rock. "Sailing" in particular took on a life of its own, with its mellow, acoustic guitars and string sections coming to define Cross' career. 

Takin' It to the Streets (1976) —The Doobie Brothers

The Doobie Brothers emerged in the early 1970s as a relatively traditional rock band. Distorted guitars and high-octane solos were typical of the Doobies' sound, but that changed with the addition of vocalist Michael McDonald in 1976. With McDonald, the group released  Takin' It to the Streets , a more laid back, jazzier record that even incorporated a horn section. It was a tremendous success, leading to a permanent shift in musical approach for the band. McDonald left the band in 1982, but recently rejoined, reuniting the golden-era Doobie Brothers lineup. 

Breakin' Away (1981) — Al Jarreau

Beginning his career as a jazz musician, Jarreau gradually migrated closer to pop music as the '70s drew to a close. 1981's  Breakin' Away  is atply titled, as it represents his first major effort at a jazz-pop crossover, released to widespread acclaim. Jarreau added a jazz and soul influence to the yacht rock genre that took it in a new direction and opened doors for other artists to get in the game. Jarreau went on to release several more crossover albums, racking up Grammy nods along the way. 

Welcome Home (1978) — Carole King

When all is said and done, Carole King will go down as one of the greatest songwriters of the 20th century. King has penned hit after hit after hit, both for other artists as well as her own impressive catalog.  Welcome Home  offers up King's typical level of brilliance, with hits like "Morning Sun." King may not fit squarely into the yacht rock subgenre, but the vibes are certainly there, and there's never not a valid excuse to listen to more Carole King. 

Can't Buy a Thrill (1972) — Steely Dan

Quick, think of the quintessential "dad band." It's Steely Dan, isn't it? Steely Dan later began experimenting with other genres like jazz fusion and electronic music, but always had one foot firmly planted in yacht rock.  Can't Buy a Thrill  is about as good of a debut album as can be, featuring iconic tracks like "Dirty Work," "Do It Again," and of course "Reelin' in the Years," iconic opening guitar solo and all. 

Late for the Sky (1974) — Jackson Browne

Re-issued on vinyl, Jackson Browne's landmark album,  Late for the Sky  is the record that thrust him into superstardom. Browne had already worked with the Eagles and other major artists as a songwriter, but  Late for the Sky  established him as a major player in soft rock, with the title track being used in the film  Taxi Driver . This was the album that opened the door for Browne, as he released a string of hits throughout the late '70s and '80s. 

No Secrets (1972) — Carly Simon

No Secrets  was Carly Simon's third outing, but her first major commercial success. The album features her signature song, "You're So Vain," leading to a web of conspiracy theories as to who the song could possibly be about in the pre-internet age. 50 years after its release, we're left with only a third of the answer. Simon also collaborated with major artists like James Taylor, Paul and Linda McCartney, and Mick Jagger to produce this icon of the '70s.

Outside From the Redwoods (1993) — Kenny Loggins

All hail Kenny Loggins, the Supreme Lord of Yacht Rock. There is arguably no artist so closely identified with the genre, from his days in the Nitty Gritty Dirt Band to his solo work to the pinnacle of yacht rock with Loggins & Messina.  Outside From the Redwoods is a live album that serves as something of a retrospective of his career, touching on each phase; yes, even "Footloose." A large part of the yacht rock subgenre is collaboration with other yachties, as Loggins duets with Michael McDonald on "What a Fool Believes."

Songs You Know by Heart  (1985) — Jimmy Buffett

Nobody can transport you to a Caribbean island quite like Jimmy Buffett. Released in the '80s,  Songs You Know by Heart  is a compilation record of some of Buffett's biggest hits, including career-defining tracks like "Cheeseburger in Paradise" and "Margaritaville." Buffett's troves of loyal fans, known as Parrotheads, can chill with the best of them, reclining in their beach chairs, sipping on fruity drinks and spinning vinyl. 

Marathon (1979) — Santana

While Santana may be more closely identified with Carlos Santana's ripping blues guitar licks, 1979's  Marathon  veers into yacht rock. Vocalist Alex Ligertwood's smooth, R&B style vocals provide a new direction for Santana, as tracks like "You Know That I Love You" and "All I Ever Wanted" provided huge commercial success. Of course, the album is far from short on guitar mastery, with "Lightning in the Sky" featuring a signature Santana solo. 

Add To Your Collection

Fleetwood Mac: Rumours

Taylor Swift: 1989 (Taylor's Version) [2 LP]

Pink Floyd: The Dark Side Of The Moon (50th Anniversary)

Led Zeppelin: Led Zeppelin IV

Bob Marley: Legend [Reissue]

The Beatles: Rubber Soul

Journey: Greatest Hits

Queen: Greatest Hits I

Bob Dylan: Greatest Hits

Taylor Swift: Speak Now (Taylor's Version)

• Music Systems View Products
• Suitcase and Portable View Products
• Turntables & Integrated Players View Products
• Wireless Turntables View Products
• All Record Players View Products

• All Bluetooth Speakers View Products
• Nostalgic Radios View Products
• Outdoor Speakers View Products
• Jukeboxes View Products

• Wood Music Systems View Products
• Modern & Mid-Century View Products
• Retro & Vintage View Products
• Suitcase View Products
• Premiere View Products
• All Products View Products

• Choosing a selection results in a full page refresh.
• Opens in a new window.

Referral code for up to $80 off applied at checkout

The 10 Best Yacht Rock Albums To Own On Vinyl

Climb aboard for the smoothest records you'll ever own.

In 2006, a group of buddies produced a series of short videos called “Yacht Rock.” The videos defined yacht rock as a genre of smooth music, born out of Southern California between 1976 and 1984, and featuring exceptional musicianship with roots in R&B, jazz and folk rock. Its stars: Michael McDonald, Kenny Loggins, Toto and Steely Dan.

The last 11 years have tested the genre’s buoyancy. Since 2006, yacht rock has been co-opted by Big Radio, whose yacht playlists include flimsy AM gold like Bertie Higgins and California corporate rock like the Eagles. Luckily the originators of the term, through their podcast Beyond Yacht Rock, have helped to set the parameters of the genre.

Good yacht rock is frequently credited to many of the same names: established players like multi-instrumentalist Jay Graydon, producer David Foster, percussionist Victor Feldman, and hard-working-studio-band-turned-80s-superstars Toto. And it’s heavier on R&B and jazz than folk rock, incorporating the work of Quincy Jones, Michael Jackson and others.

With that, here are the 10 best yacht rock albums to start your collection - or, shall I say, to christen your vessel.

Shop Till You Drop

Record reviews.

Toto: Toto IV (1982, Columbia)

The album that shot Toto into superstardom is a perfect primer for the yacht rock sound. “Rosanna,” with drummer Jeff Porcaro’s iconic shuffle technique, makes multiple left turns, a crucial component of most yacht songs. You’ll know this album for “Rosanna” and No. 1 smash “Africa,” but the slow groove of “Waiting For Your Love” shows the band’s ability to dip into soul and R&B, a trait that helped them on cuts like “Human Nature” and “The Lady in My Life” off another yacht rock album, Michael Jackson’s Thriller. Toto could also bring the heat with mid-tempo stunners like “Make Believe” and “Good For You.” A deep listen of Toto IV reveals a group of professionals rarely wasting notes.

Boz Scaggs: Silk Degrees (1976, CBS)

If yacht rock is a marriage of jazz, R&B and singer-songwriter folk rock, Boz Scaggs’ breakout Silk Degrees is one of the earliest attempts at matrimony. Boz employed David Paich, David Hungate and Jeff and Joe Porcaro for the album, and their work here would set a template for the Toto sound (combine “Lowdown” and “Lido Shuffle” and you get something near “Rosanna”). There’s a few too many strings here, Boz gets a little too lyrical (Yacht Rock isn’t necessarily a lyricist’s genre) and the bass is so up front that it can feel like disco. But if you want to know the roots of yacht rock, Silk Degrees is a good choice.

Michael McDonald: If That’s What it Takes (1982, Warner Bros.)

Two crucial instruments in yacht rock: the Fender Rhodes keyboard and McDonald’s husky, blue-eyed soul tenor. If That’s What it Takes, McDonald’s solo debut after leaving the Doobie Brothers, has plenty of both. “I Keep Forgettin’ (Every Time You’re Near)” is essential yacht, a chill-out anthem featuring half of Toto, who also appear on the ballad “That’s Why” and slightly discofied “No Such Luck.” McDonald’s buddy Loggins co-writes “I Gotta Try,” one of many yacht anthems about fools looking to change their luck. And make no mistake: McDonald is the poster boy for fools constantly searching for small victories.

Kenny Loggins: High Adventure (1982, Columbia)

Loggins isn’t always yacht rock. Sometimes, like on High Adventure, he’s far too tender (“The More We Try”) or he’s far too heavy (“Swear Your Love”). But there’s a lot of yacht rock range on this enormously fun album, from the Latin-tinged “Heartlight” to the gritty “If It’s Not What You’re Looking For.” Then there’s Loggins’ version of “I Gotta Try” and, finally, a quintessential yacht rock hit, “Heart to Heart.” Loggins is a little lighter and slightly more soulful on his 1979 album Keep the Fire, which includes the stunning “This Is It.” He’s certainly an essential artist in the yacht canon, but always step lightly with Loggins. The guy is a chameleon.

Dane Donohue: Dane Donohue (1978, Columbia)

There are countless yacht rock albums either lost in bargain bins or available only as imports, from the 1980 self-titled album by Airplay (listen to the quintessential “Nothin’ You Can Do About It”) to 1978’s Blue Virgin Isles by Swedish singer Ted Gardestad. Dane Donohue’s 1978 self-titled debut is another, featuring Graydon, Feldman, members of Toto and Los Angeles studio professionals like Larry Carlton, Jai Winding and Steve Gadd. “Can’t Be Seen” has a distinct yacht sound, as does the crisp “Woman,” which features backing vocals from J.D. Souther and Stevie Nicks. You’ll tell quickly that Donohue is a third-rate vocal talent for the genre (McDonald or, say, Al Jarreau would elevate these tracks), but the point is the smooth, polished sound. Yacht rock is a player’s genre.

Steely Dan: Aja (1978, ABC)

Steely Dan’s importance to yacht rock can’t be overstated. They introduced the world to McDonald (“Any World [That I’m Welcome To]” off Katy Lied ) and curated an inner circle of studio professionals versed in jazz, R&B and soul, who would later perfect the yacht sound. Arguably the Dan is smoothest on the 1980 smash Gaucho , but Aja finds Walter Becker and Donald Fagen comfortably hitting a middle-ground stride. You’ve probably heard much of the album already, from the slithering journey of “Deacon Blues” to the percolating “Peg,” but what’s amazing about Aja is its ability to position Steely Dan as a mainstream hit factory while remaining expansive and adventurous (the title track, “I Got the News”).

Patti Austin: Every Home Should Have One (1981, Qwest)

Yacht rock is popularly considered a white man’s genre, but its roots are in the R&B and jazz that manifest itself as yacht soul on outstanding albums like Austin’s Every Home Should Have One. Examples? “Do You Love Me?” sounds awfully like Loggins’ “I Gotta Try.” And one could imagine McDonald singing “The Way I Feel.” “Love Me to Death” could have been a Michael Jackson outtake, or it’s just a rewrite of “Off the Wall.” The album’s high point is the slow burn “Baby, Come to Me,” which includes James Ingram’s smooth delivery, plus Toto’s Lukather on guitar and Foster on synthesizer. Check George Benson’s Give Me the Night and the Pointer Sisters’ Special Things for more examples of yacht soul.

Al Jarreau: Breakin’ Away (1981, Warner Bros.)

If there’s an album that showcases the yacht rock sound at its cleanest, Breakin’ Away may take the trophy. All of the pertinent studio personnel is on the album, from Toto to Graydon - who’s on as producer - laying down an adventurous, crisp template for Jarreau ( R.I.P .) to deliver his sharp, joyous tenor, complete with plenty of scatting. “We’re In This Love Together” and the title track (with Earth, Wind & Fire horns, a Graydon specialty) are mid-tempo yacht rock beauties. Elsewhere Jarreau experiments with jazzier flavors, but the musicianship is still top-notch. Check out Jarreau’s Jarreau from 1982 as another prime yacht rock attempt; both are albums you’ll want to spin on a bright summer morning.

Pages: Pages (1981, Capitol)

Before Richard Page and Steve George formed half of mid-1980s MTV stars Mr. Mister, their buttery voices were integral components of the yacht rock sound, contributing backing vocals on countless tracks. Their 1981 self-titled release (they also released a self-titled album in 1978 that’s more funkified) is pure yacht. Graydon produced half of the album, and Jeff Porcaro shows up frequently behind the kit. The flip-side of the album is more adventurous, but side A is pound-for-pound the best example of the genre you’ll find on vinyl, and one of the best finds of the sound (Pages’ previous Future Street is a little more proggy but still a treat). Seize Pages and you’ll soon find yourself on some roof deck singing along with Page and George.

Christopher Cross: Christopher Cross (1979, Warner Bros.)

Critics may scoff at Cross’ self-titled debut, a massive success that won five Grammys and scored four top-20 hits, but the album is impeccably performed and produced. Nearly everyone involved on the album is a yacht rock mainstay, from producer Michael Omartian down to the usual suspects, Graydon, Feldman and McDonald, who contributes those iconic backing vocals in “Ride Like the Wind.” “Never Be the Same” and “Say You’ll Be Mine” are both solid mid-tempo hits for the era. And then there’s “Sailing.” It’s actually a sonic outlier for the yacht rock genre, heavy on acoustic guitar and strings. But its message fits the genre (a fool searching for inner peace), and yeah, it’s still undeniably smooth.

• the 10 best

Timothy Malcolm can be found in a variety of publications across the New York metropolitan area. His writing can also be found there. He enjoys guessing No. 1 hits of the 1980s, visiting breweries, trying any beverage once, watching baseball and hiking for long distances across the Hudson Valley and Catskills of New York.

Join the Club!

Records of the Month VMP Store Exclusives Pre-Orders Ready to Ship Vinyl Me, Parton

R&B / Hip-Hop Soul Rock Jazz Country

Collections

Best Sellers Bundles Anthology $30 & Under Represses

${ product.title }

${ product.vendor }, quality music. delivered to your inbox..

Sign up to receive new vinyl release notifications, curated playlists, Magazine articles, and more.

Shopping Cart

Exclusive 40% off for students , military members & healthcare professionals – get verified.

• ${ option.name }: ${ option.value }

Your cart is currently empty.

Similar Records

Other customers bought.

Shipping & taxes calculated at checkout

${ accountModal.title }

Referral discount will be applied at checkout

Join the club

Select a location.

• United States
• International

Choose a Term

Commit longer and save. Or, choose Monthly for no commitment. We’ll never renew your membership without contacting you first. You can change your Track or Swap your future monthly records.

Shipping begins in April. Sign up today to secure your spot on this once-in-a-lifetime musical journey. Start your subscription with "${chargebee.selectedPlan.product.title}".

Start your subscription with "${chargebee.selectedplan.product.title}"..

Available in Limited Engagements of 3, 6, or 12 month terms. Commit longer to save. This Limited Subscription Track will end after 12 months and you will no longer be charged.

This Limited Subscription Track will end in March 2024 and you will no longer be charged. Commit longer and save. Start with this month's Dolly Parton Record, with the option to include catch-up records from the previous months upon signup.

Forgot password?

Create An Account

Create a free VMP account to save this product to your wishlist.

Already have an Account? Sign In

Unsupported Browser

Your web browser appears to be outdated. Our website may not look and function quite right in it.

Please consider updating your browser to enjoy an optimal experience.

Make Your Order a Gift

Want to send this order as a gift? Enter their shipping information, plus an optional note (that will be included in their box) and we’ll take care of the rest. Note: On the next screens, you will be directed to still enter your own shipping information for billing and account purposes, but the order will still ship to your recipient.

Sign Up To Be Notified

by will be the Record of the Month. Enter your email to be notified when this album launches.

Join Waitlist

This product is currently unavailable. We'll add you to the waitlist and notify you if it becomes available.

• International edition
• Australia edition
• Europe edition

I can go for that: five essential yacht rock classics

Katie Puckrick’s new TV doc reappraises the smooth, sad and seedy side of the maligned genre. Here she reveals the best tracks

• Modern Toss on yacht rock

Christopher Cross: Ride Like the Wind (1979)

With its urgent pace and aim to “make it to the border of Mexico”, Cross sums up the exhilaration of escape so essential to yacht. The power of the genre lies in the longing, so it’s most effective when heard in a landlocked location a million miles away from the nearest marina. Since aspiration crosses class, it doesn’t matter whether one’s home turf is the country club or a trailer park: listening to this song has the same effect – it nurses that ache for freedom.

The Doobie Brothers: What a Fool Believes (1979)

A YR hallmark is “upbeat-downbeat”: an approach that folds life’s bittersweet complexities within happy-snappy musical flourishes. A great example of upbeat-downbeat is this Doobie Brothers classic, showcasing the misplaced optimism of a wounded romantic. Singer Michael McDonald is in full fuzzy-throated throttle. Those are his BVs on Ride Like the Wind, and on any number of Steely Dan tracks, including …

Steely Dan: Hey Nineteen (1980)

The frisson of yacht rock derives from its blend of bourgie feelgood bounce crossed with a shiver of thwarted desire. Steely Dan self-deprecatingly called their work “funked-up muzak” but, lyrically, there are none more acidic than these egghead jazzbos with tales of grown-up screw-ups. Thanks to LA’s session musician elite, Hey Nineteen is polished to a sheen, but the narrator’s regretful realisation that he is too old to mack on teenage girls makes for uneasy listening.

Joni Mitchell: The Hissing of Summer Lawns (1975)

Generally, female musicians didn’t focus their talents on the yacht genre: its palette was too limiting for the era’s sophisticated female artists beyond a song or two. In 1975, Mitchell made what’s considered “accidental yacht rock”. This chilly saga of tarnished love concerns a woman trapped in a big house and a loveless marriage. Mitchell made the misery of rich people seem glamorous, creating “dark yacht” in the process.

Toto: Africa (1982)

By the time the 1980s rolled around, black musicians had reclaimed the surging soul and quiet storm of yacht that was rightfully theirs. Artists such as George Benson, Lionel Richie and Raydio raised the bar by turning this “funked-up muzak” into a dance party. Ironically, an anthem called Africa turned out to be helmed by a clump of the whitest dudes going. With its questing lyrics and triumphant chorus, it became a blockbuster smash for the ages, proving that yacht rock is for ever.

I Can Go for That: The Smooth World of Yacht Rock begins Friday 14 June, 9pm, BBC Four

• Pop and rock
• Joni Mitchell

More on this story

Is Big Little Lies selling us a version of consumer feminism that's too good to be true?

Muna on Harry Styles, imposter syndrome and Trump-baiting

Get Up, Stand Up Now: the show that questions the lack of diversity in art galleries

Is Loqueesha the worst film ever made?

Space oddities: why the Futurama reboot went from sci-fi to sci-why

Will Hollywood’s new youthifying tech keep old actors in work for ever?

Comments (…), most viewed.

THE CURRENT YEAR

• TCYSHOP.COM

TOP YACHT ROCK ALBUMS

The epicenter of yacht rock was the sound studios of LA, the time 1978-82, with some scant but notable ripples lapping out both forward and backward for a couple of years. This is the West Coast Sound , or West Coast AOR: the songs are smooth, shallow, melodic, with a high production value, and made for summer – especially if you’re a yuppie at the top of your game. They nearly always have electric piano right off the top, and a characteristic “ Doobie bounce ” rhythm.

Some of the key bands and artists include Steely Dan, Toto, The Doobie Brothers, Airplay, and Christopher Cross. There are a number of good notable protoyacht tracks from the mid-70s, such as England Dan & John Ford Coley’s “I’d Really Love To See You Tonight”; the few tracks from the mid to late 80s that still contain the same basic rhythm and feel are already postyacht.

Yacht rock was the brainchild of Hollywood writer J. D. Ryznar . Ryznar – along with pals Hunter Stair, Dave Lyons, and Steve Huey – created the Yacht Rock series in the early oughts, debuting during the June 2005 Channel 101 film festival in LA.

Ryznar and company pinpointed a certain era and vein of American soft rock – or “adult-oriented rock” – recorded by experienced studio musicians, mostly based in LA, and very much associated with singer-songwriters Michael McDonald and Kenny Loggins. The series was a fictionalized account of those musicians, and it ended up becoming the most important look at American soft rock ever made.

After the success of their series, Ryznar and friends popularized yacht rock with a podcast , which eventually led to the format (or bastardizations of such) being picked up on satellite radio and other streaming technologies , as well as DJ’ed in nightclubs everywhere.

It should be noted that yacht rock is not a genre, and was not contemporaneous with the music it describes. Yacht rock is a format – exactly like “classic rock” and other traditional radio formats. And just like classic rock, yacht rock as a designation applied to a set of music of the past is not a fad and will remain a useful categorization for as long as people are interested in that period of music.

Endless lists have been compiled of “yacht rock songs,” some even possibly canonical , but there have been almost no yacht rock album guides. So, we’ve decided to create one.

Not every song on every one of these albums will be 100% marina-certified yacht rock – for instance, there are definite yacht rock tracks on Michael Jackson’s Thriller . Essential yacht rock , even. But that doesn’t mean that “Billie Jean” and “Beat It” are yacht rock. They’re nyacht , and have absolutely no place in a proper “yacht rock” mix. (That fact shouldn’t stop you from playing those songs on your slip in Marina Del Rey, of course.)

Then, there’s also dark yacht , coined and conceived by journalist and actress Katie Puckrik . She felt that Joni Mitchell had “unintentially” created this new format with the title track of her 1975 album, The Hissing of Summer Lawns. We agree, and feel the suburban anguish and yuppie misery is as strong as what might be found in a Don DeLillo novel. To Pickrik’s discovery we add several of our own, including Valerie Carter’s albums of the era. We’ve identified those dark yacht albums in this list as such.

Airplay, Airplay (1980)

Alessi, Alessi (1976), Driftin’ (1978), Long Time Friends (1982)

Peter Allen, Bi-Coastal (1980)

Ambrosia, One Eighty (1980), Road Island (1982)

Paul Anka, Walk A Fine Line (1983)

Patti Austin, Every Home Should Have One (1981)

George Benson, Give Me The Night (1980), The George Benson Collection (1981), In Your Eyes (1983)

The Brecker Brothers, Detente (1980)

Byrne & Barnes, An Eye For An Eye (1981)

Bobby Caldwell, Cat In The Hat (1980)

Valerie Carter, Just A Stone’s Throw Away (1977), Wild Child (1977) (Dark Yacht)

Bill Champlin, Single (1978), Runaway (1981)

Kerry Chater, Love On A Shoestring (1978)

Paul Clark, Drawn To The Light (1982)

Christopher Cross, Christopher Cross (1979), Another Page (1982)

Dane Donohue, Dane Donohue (1978)

The Doobie Brothers, Minute By Minute (1978), One Step Closer (1980)

George Duke, Dream On (1982)

The Dukes, The Dukes Bugatti & Musker (1982)

Robbie Dupree, Robbie Dupree (1980), Street Corner Heroes (1981)

Exile, Don’t Leave Me This Way (1980)

Dwayne Ford, Needless Freaking (1981)

Randy Goodrum, Fool’s Paradise (1982)

Jimmy Hall, Touch You (1980)

Hall & Oates, Voices (1980)

Finis Henderson, Finis (1983)

Amy Holland, Amy Holland (1980)

Michael Jackson, Thriller (1982)

Al Jarreau, Breakin' Away (1981), Jarreau (1983)

Quincy Jones, The Dude (1981)

Marc Jordan, Mannequin (1978), Blue Desert (1979), A Hole In The Wall (1983)

Karizma, Dream Come True (1983)

Steve Kipner, Knock The Walls Down (1979)

Bill LaBounty, Rain In My Life (1979), Bill LaBounty (1982)

Larsen-Feiten Band, Larsen-Feiten Band (1980)

Nicolette Larson, Nicolette (1978), In The Nick Of Time (1979)

Larry Lee, Marooned (1982)

Kenny Loggins, Celebrate Me Home (1977), Keep The Fire (1979), High Adventure (1982)

Bobby Martin, Bobby Martin (1983)

Maxus, Maxus (1982)

Michael McDonald, If That’s What It Takes (1982)

Sérgio Mendes, Confetti (1984)

Joni Mitchell, The Hissing of Summer Lawns (1975), Hejira (1976) (Dark Yacht)

Jaye P. Morgan, Jaye P. Morgan (1976) (Protoyacht)

Nielsen Pearson Band, Nielsen/Pearson (1980), Blind Luck (1983)

John O’Banion, John O’Banion (1981)

Orleans, Forever (1979)

Pablo Cruise, A Place In The Sun (1977), Worlds Away (1978), Reflector (1981)

Pages, Pages (1981)

Jim Photoglo, Fool In Love With You (1981)

Player, Player (1977)

Lionel Richie, Can’t Slow Down (1983)

Lee Ritenour, Rit (1981)

David Roberts, All Dressed Up (1982)

Diana Ross, Ross (1983)

Brenda Russell, Two Eyes (1983)

The Sanford-Townsend Band, Smoke From A Distant Fire (1977)

Boz Scaggs, Silk Degrees (1976), Middle Man (1980)

Tom Scott, Desire (1982)

Alan Sorrenti, L.A. & N.Y. (1981)

Steely Dan, The Royal Scam (1976), Aja (1977), Gold (Expanded Edition) (1978), Gaucho (1980)

Eric Tagg, Dreamwalkin' (1982)

Tavares, Supercharged (1980)

Toto, Toto (1978), Hydra (1979), Toto IV (1982)

Roger Voudouris, Radio Dream (1979)

Kelly Willard, Blame It On The One I Love (1978)

Stevie Woods, Take Me To Your Heaven (1981)

These albums are great on vinyl for home and hanging out, but for the car – or the yacht – we highly recommend them on what is probably the ideal yacht rock album format: cassette!

Michael Stutz

A beginner’s guide to yacht rock in five essential albums

Was there really ever a genre called yacht rock ? Prior to the 2005 online comedy series of the same name, what we now know of as yacht rock was simply soft rock, largely of the 1970s variety, but occasionally dipping into the 80s as well. It was music that was smooth, slick and did little to challenge the listener in the way that heavy metal or punk rock would. Yet  sold in the multi-millions, made superstars of its creators, and was beloved by industry professionals for the stellar musicianship and high production values. And above all, it was detested by the critics.

Today, yacht rock is the ultimate guilty pleasure genre. Its patron saints - almost exclusively men, generally bearded – never appeared on posters that graced adolescents’ walls. Yet bands and artists such as The Doobie Brothers , Loggins & Messina and Christopher Cross made sweet, soulful music featuring some of the finest musicians of the era and sounding so, so perfect in the process.

Unlike prog, hair metal or krautrock, the boundaries of what constitutes yacht rock are blurred. There’s little to link the jazzy noodlings of Steely Dan , Boz Scaggs’ smooth pop and the later, 80s pop-rock of Hall & Oates beyond the fact that the various members of Toto appeared on many of these albums, making them kind of a yacht rock mafia.

Yacht rock, soft rock, call it what you will: the men who made it are laughing all the way to the bank in their Hawaiian shirts and well-sculpted facial hair while the rest of us celebrate their music in all its frictionless glory. Critics be damned, these are the five essential yacht rock albums for those who want to plunge into the genre.

Loggins & Messina - Full Sail (1973)

Kenny Loggins was a boyish-looking yet handsomely bearded fellow with a penchant for country-esque ballads. Jim Messina had been in Buffalo Springfield and country rockers Poco . The pair teamed up to record some of Loggins’ material and ended up becoming an unlikely success story, notching up hits with  1971 single The House At Pooh Corner and the following year’s Your Mama Don’t Dance , later covered by hair metallers Poison.

But 1973’s Full Sail was their apex. Featuring the ultimate yacht rock album cover (two men, one yacht), the album itself contains everything from the calypso frivolity of Lahaina , and the smooth jazz of Travellin’ Blues to the joyously upbeat My Music and hit ballad Watching The River Run . This is yacht rock’s ground zero. Boys, what did you unleash?

Boz Scaggs - Silk Degrees (1976)

An early member of the Steve Miller Band , guitarist and vocalist Boz Scaggs’ solo career had begun 1969. But nothing had clicked with the record buying public until he hooked up with David Paich, Jeff Porcaro and David Hungate, all of whom were on the verge of forming Toto , and recorded his seventh solo album, Silk Degrees . A masterful mix of smooth pop and slick ballads, it spawned hits in the shape of It’s Over , Lowdown , We’re All Alone (made famous by Rita Coolidge) and the pulsating Lido Shuffle , a bona fide dancefloor filler.

Steely Dan - Aja (1977)

Arguments rage as to whether these protagonists of achingly cool and clever jazz rock belong in the yacht rock genre, but hey, if the people who made the Yacht Rock online series say the are, who are we to argue?

Their sixth album, Aja , saw Walter Becker and Donald Fagan stretching out into longer form pieces of music that were funkier and jazzier than they’d ever been before, capping it off with one of the most pristine production jobs ever – such were their levels of perfectionism that six crack session guitarists tried and failed to lay down the guitar solo on Peg to their satisfaction (it was the seventh, Jay Graydon, who nailed it). Bonus yacht rock points: auxiliary Dan backing vocalist/keyboard player Michael McDonald was also a member of The Doobie Brothers.

The Doobie Brothers – Minute By Minute (1978)

In 1974, Steely Dan guitarist Jeff ‘Skunk’ Baxter moved across to hugely successful blues rockers The Doobie Brothers on a free transfer. The following year, he suggested recruiting Dan backing singer/pianist Michael McDonald as a replacement for the Doobies’ ailing guitarist/vocalist Tom Johnstone.

With his blue-eyed soul croon and knack for writing uptempo R&B-infused songs, McDonald helped nudge the band towards smoother waters. By 1978’s Minute By Minute , they had fully transformed from moustachioed chooglers into yacht rock kingpins. The album’s blend of soft rock and R&B reached its apotheosis on the majestic What A Fool Believes – co-written with Kenny Loggins, naturally – which ultimately helped turn McDonald into a bigger star than the band. For the record, the singer’s 1986 Sweet Freedom compilation is also yacht rock gold.

Christopher Cross - Christopher Cross (1979)

When Christopher Cross released his self-titled debut album in December 1979, no-one knew who he was. A year later, he’d racked up four Top 20 hits and swept the boards at the Grammy Awards.

It’s not hard to see why: Cross’ spectacular voice was matched by the brilliance of his songs. Everyone knows Ride Like The Wind , featuring that Michael McDonald fella on backing vocals, but it was the mellower Sailing that hit the No. 1 spot ( Ride… only managed No. 2). A year later Cross’ theme to the movie Arthur won him and co-writer Burt Bacharach an Oscar.

Cross was no slouch as a musician either: Steely Dan had asked him to play on their albums and he even filled in for a sick Ritchie Blackmore at a Deep Purple US show back in 1970.

Backyard Road Trips

BYRT’s Ultimate Yacht Rock Playlist

Shaggy feathered hair? Check. Mustache? Check. High-pitched male vocals? Check. Perfect for the sailboat? Check. Then it must be yacht rock. And here’s BYRT’s Ultimate Yacht Rock Playlist (scroll to the bottom to hear the tracks)!

My first acknowledgment of the term “yacht rock” occurred in the short-lived Plymouth record store Mars Records, as there was a yacht rock category. Since then this genre of soft rock mainly from the mid to late 70s to early 80s has gained traction. 

Typically heralded as just plain corny, artists such as Christopher Cross, Stephen Bishop, and Bernie Higgins have gone through a resurgence of late. During the summertime, there is even a seasonal yacht rock channel on Sirius satellite radio. 

A Collaborative Effort

Often at work, my friends and I fall deep down rabbit holes. A recent such rabbit hole was compiling the ultimate yacht rock playlist. A big shout out to Mike Landolfi for all of his input on this essential piece (although he needs to grow his hair longer and feather it). 

Instead of pairing yacht rock with a six-pack of beer, we’re heading for a canned cocktail, an easy sipper for those warm summer boating days. The Litchfielder, a bourbon-based cocktail with lemon juice by Litchfield Distillery, is a good choice for those fall yachting days. Let your mullet and mustache blow in the wind, crack open the canned cocktail, and listen to the following playlist on your favorite listening device, whether through a streaming service or 8 track. 

Let the ultimate yacht rock playlist begin!

Starting the playlist is the ultimate yacht rockstar–Christopher Cross, whose “Sailing” gives the genre an identity. Next follows Rupert Holmes with “Escape,” better known as the “Pina Colada Song,” which is my least favorite song, quite terrible, but certainly exemplifies this genre. Steely Dan is a tough inclusion since I really like them and musically they are far more intricate than most on the list. I chose “Deacon Blues” which is one of my favorite Steely Dan tracks. The theme from the Greatest American Hero is known more for this rendition . Ace’s “How Long” is another track that I genuinely enjoy but still fits the bill. 

America walks that fine line between yacht rock and breezy folk-rock but ultimately belongs on this list. The Captain and Tennille feature elusive female vocals in this male-dominated genre. (and provides the antithesis to Joy Division’s “Love Will Tear Us Apart”). Next up is the crown prince of yacht rock, Michael McDonald. Before I knew they sang “Kiss You All Over,” I thought this band had to be a hair metal band by their name, Exile. Starship finishes out at number 10 with another one of my least favorite songs, “We Built This City.” 

The Nitty Gritty Dirt Band with “American Dream” is also pretty bad, leaning toward the “Pina Colada Song” or Jimmy Buffet by way of light country music. Kenny Loggins and Stevie Nicks are truly forgettable on the track “Whenever I Call You ‘Friend.’” A great yacht rock one-hit-wonder, Player, with “Baby Come Back” is a perfect soundtrack to grocery shopping. Ambrosia, not only a dessert but “Biggest Part of Me” is another genre-defining track. “I’d Really Love to See You Tonight” is simply one of those songs you know, but don’t know who sings it. Well, guess what, it’s England Dan and John Ford Coley! 

Just like the last track, Robbie Dupree’s “Steal Away” I can promise you know, although I have never heard of the artist. Toto is a funny band, part mullet rock of “Hold the Line,” part pop of “Africa” and pure yacht rock with “Rosanna,” the tribute to a young Roseanne Barr . The Doobie Brothers start as a southern rock type group but head straight to the ocean with the addition of Michael McDonald, best exemplified by “What a Fool Believes.” Hall & Oates part blue-eyed soul, part yacht rock plays the part with “Kiss On My List.” Orleans’s “Still the One” is the theme song to every reelected candidate since the song came out and is still pretty terrible. 

The sailing theme is in full swing with Bertie Higgins’s “Key Largo.” For those summer nights, “Reminiscing” by Little River Band does the trick. I only knew Stephen Bishop from the soundtrack of the truly essential “ Care Bears Movie II .” The Atlanta Rhythm Section hits off with mundane soft rock, but Gerry Rafferty brings it back powerfully with “Baker Street” with the best sax riff this side of “Careless Whisper.” 

Boz Scaggs keeps the party grooving with the truly wonderful “Lido Shuffle.” Jackson Browne, all though another borderline yacht rocker, plays true to the genre with “Somebody’s Baby.” The Grass Roots also straddle the line of yacht rock but let’s include them with “Sooner or Later.” We reprise Christopher Cross with “Arthur’s Theme.” “Peg” by Steely Dan is one of their truer yacht rock takes. 

For the final seven, we start out with “Summer Breeze” by Seals and Crofts. This song fits in somewhere between yacht rock, folk rock, and breezy light hits but would sound just fine by the sea. The only yacht rock instrumental is George Benson’s “Breezin.” Feel the breeze through your feathered hair and mustache as the yacht smoothly glides over the water. Even yacht-rockers celebrate the holidays! Ray Parker Jr’s “Christmas Time is Here” is pretty boring but definitely fits the theme. Daft Punk checks off the yacht rock boxes with “Fragments of Time” from their masterpiece Random Access Memories. Michael McDonald spreads holiday cheer with “Every Time Christmas Comes Around.” Luther Vandross steps out of the bedroom and onto the yacht with the upbeat “Never Too Much.” Michael (we’re on a first-name basis) then closes the show with his superb guest vocals on Christopher Cross’s “Ride Like the Wind.” 

These 37 yacht rock “classics” will make any outboard motor run. From the kayak to the cruise ship, crack open a canned cocktail, put on this playlist, and drift away on the open water. And after all was said and done, I keep coming back for more Yacht Rock as I am an official convert!

Backyard Road Trips’ Ultimate Yacht Rock Playlist

• Christopher Cross – Sailing
• Rupert Holmes – Escape (The Pina Colada Song) 
• Steely Dan – Deacon Blues
• Joey Scarbury – Theme from the “Greatest American Hero”
• Ace – How Long  
• America – Sister Golden Hair
• Captain and Tenille – Love Will Keep Us Together 
• Michael McDonald – I Keep Forgetting
• Exile – Kiss You All Over
• Starship – We Built This City
• Nitty Gritty Dirt Band –  American Dream
• Kenny Loggins with Stevie Nicks – Whenever I Call You “Friend”  
• Player – Baby Come Back
• Ambrosia – Biggest Part of Me
• England Dan and John Ford Coley – I’d Love to See You Tonight
• Robbie Dupree – Steal Away
• Toto – Rosanna
• The Doobie Brothers  – What a Fool Believes
• Hall & Oates – Kiss On My List
• Orleans – Still the One
• Bertie Higgins – Key Largo
• Little River Band – Reminiscing  
• Stephen Bishop – On and On
• Atlanta Rhythm Section – So Into You
• Gerry Rafferty – Baker Street
• Boz Scaggs – Lido Shuffle
• Jackson Browne – Somebody’s Baby
• The Grass Roots – Sooner or Later
• Christopher Cross – Arthur’s Theme
• Steely Dan – Peg
• Seals and Crofts – Summer Breeze
• George Benson – Breezin’
• Ray Parker Jr – Christmas Time is Here
• Daft Punk – Fragments of Time
• Michael McDonald – Every Time Christmas Comes Around
• Luther Vandross – Never Too Much
• Christopher Cross with Michael McDonald – Ride Like the Wind

For further reading, check out BYRT’s Ultimate Hip Hop Playlist !

2 thoughts on “BYRT’s Ultimate Yacht Rock Playlist”

Take that wretched “Escape” song off there, add some more Steely Dan and I’d listen to this playlist!

Ha! Yeah that’s pretty bad but is defining of the genre.

Comments are closed.

• 2023 Wrapped
• About Spotify
• Press Center

Life at Spotify

• Diversity & Inclusion

Stream On 2023

During Stream On, we’ll share new developments to help creators continue to chart pathways to success and build a truly global audience.

Time to Play Fair

When competition is fair, both consumers and companies win. Learn about our efforts to even the playing field for all developers.

Spotify Loud & Clear

Artists deserve clarity about the economics of music streaming. This site sheds light on the global streaming economy and royalty system.

Spotify x FC Barcelona

Music and football come together in a way that’s entirely new in our partnership with FC Barcelona.

For Artists

For podcasters, for advertisers, for developers, for investors, for engineering, for vendors, for songwriters, for help, chat & ideas.

• Search for:
• Get Spotify
• Company Info
• Communities

Spotify Communities

Yacht Rock: How the Smooth Sounds of the ’70s and ’80s Became a Genuine Genre

July 9, 2019

When the weather’s warm, the weekends long, and the cocktails crafted using blue curaçao, there’s no better music than yacht rock —the soft, smooth sounds released between roughly 1976 and 1984 that typically feature vocals and keyboards with guitars barely audible in the background. Yet, this genre of music didn’t even have a name until a few years ago.  

Artists like the Eagles , Fleetwood Mac , and Chicago were once viewed as belonging to an adult-contemporary, soft-rock bridge between ’70s disco and ’80s arena rock. But in 2005, a few friends noticed that several artists’ albums of the era had boats on their covers. They jokingly called these albums “marina rock” and created a 12-episode comedy video series that went viral. Yacht rock was born, and today the video series’ creators even have a podcast, Beyond Yacht Rock .

On Spotify, yacht rock is most popular among those aged 45-54 and 18-24, indicating that listeners who came of age during the music’s heyday and their children love those smooth grooves. While yacht rock is most streamed in the U.S., U.K., and Canada, when measured as a percentage of total streams yacht rock is far and away the most popular in New Zealand. In fact, seven of the top 10 cities that keep yacht rock on repeat are in New Zealand (which also just so happens to be the current holder of the America’s Cup —coincidence?). 

But what are the defining characteristics of yacht rock? Let our yacht-or-knot list below be your celestial guide.

Check out the official Yacht Rock playlist .

Charting the Onstage Evolution of The Rolling Stones

Discover more.

Guns N’ Roses Bassist Duff McKagan Sings a Message of Hope

Legend of French Singer-Songwriter Serge Gainsbourg Looms Large on Spotify

How Well Do You Know the Spotify Songs of Summer? Take Our Nostalgia Quiz

• Your cart is empty.

Discovering yacht rock with Benny Sings

Published on, february 22, 2023.

Set sail with the music of Steely Dan, Donald Fagan, Toto and more.

For the best part of the last half-century, the goofily-named mellow sounds of yacht rock have oscillated in popularity and influenced generations of musicians. Originating in the mid-’70s with the sounds of Steely Dan, Toto and their contemporaries, yacht rock earned its name late in life, from a Channel 101 web series in 2005.

Named for its breezy, smooth qualities, yacht rock has become synonymous with soft rock vibes made for kicking it back to and has served as a guiding sound for popular artists such as Mac DeMarco, Thundercat and Benny Sings.

Ahead of the release of his tenth album, Young Hearts , on March 24, Benny Sings talks us through his essential yacht rock releases. All aboard!

(ABC Records )

This album is an ultimate classic – and people will certainly recognise some big hip hop samples on this record. I started out in hip hop, and artists like Puff Daddy and J Dilla used yacht rock as samples for their beats. I was always into those samples before I knew what they were. I started writing hip hop songs, but I wanted to capture the choruses and samples.

Then some critics compared my stuff to yacht rock, and it was only then that I realised where those influences were coming from. Steely Dan is one of the go-tos for yacht rock–this album is full of elements you might know. It’s just a great album. Yacht rock as a term was invented in a show about Steely Dan and Michael McDonald–they’re like the founding fathers of the genre.

Kenny Beats produced my upcoming album, Young Hearts , and the night before we went into the studio together to record, he binge-watched yacht rock documentaries. “Young Hearts”, the title track, nods to this record in terms of the chords and attitude.

Donald Fagan

The nightfly.

(Warner Records )

Donald Fagen is, of course, one of the members of Steely Dan (alongside Walter Becker). The Nightfly is his debut solo record, and it’s even more up my alley. Where Aja is still a bit complicated and rational, The Nightfly has more of a pop influence. The first song on the album is just the ultimate song for me–this is the kind of music I want to make. It could also be described as ‘soft rock’, but it’s not really rock at all–it’s super sleek and soft, but the term still works because the music still carries a strength, a kind of soft power. It has this punch to it that really gets to me. I love this stuff. The song “I.G.Y.” on this album will be instantly recognisable to some–it was a big hit when I was a young child, so it’s nostalgic for me, and it really got into my musical DNA in a way.

Bobby Caldwell

What you won’t do for love.

Bobby Caldwell’s What You Won’t Do for Love is still part of the wider yacht rock family, though it’s definitely more soul-influenced–inspired by great soul music but with an odd twist which I love. This record was just a big, classic record that influenced many people and still does nowadays. Again, I know Bobby Caldwell from great hip hop samples. You can hear samples from this album in tracks like “The Light” by Common and J Dilla, and of course, the title track “What You Won’t Do For Love” is well known as it’s referenced in Tupac’s song “Do For Love”.

That title track is the big song on this album–every note on it hits hard. The funny thing is that it was a late addition; the album was already written and finished way before it. Bobby worked really hard on the record, but the label said “ it doesn’t have a hit song on it yet ” . This frustrated him, but he said “ okay, whatever, I’ll write you a hit song”  and thought he’d just make something quick and easy, written in a day.

It was added to the album and turned out to be his biggest hit. This story does inspire me. It’s a reminder to sometimes listen to what managers and labels have to say, rather than always just focusing on what you want. Your music can be about the community around you. See what resonates with them and what doesn’t.

Toto’s self-titled album is a real, true example of yacht rock–a total classic. For me, the most important song is “Georgy Porgy”, that song inspired a song on our album called ‘The World’. I was so into that song already, and then when I went to Kenny’s studio to record this album, he played that exact one, which was a freaky coincidence. We listened and made a song in that realm.

The other key track on this album is of course “Hold The Line”. If you can make a song like that, then you’re a king. I can’t remember the first time I heard Toto or these songs, they’ve been with me since I was unconscious. They’re just such huge hits that everyone knows. If you ever go to the supermarket–you know these songs. 

Michael Franks

One bad habit.

(Warner Records)

Michael Franks has probably been the biggest influence on my music and you hear that immediately when you hear this album. He’s got a similar vocal tone to me–that high-pitched, airy kind of voice. He’s also just the ultimate anti-rock ‘n’ roller. When you go on his website, he tells you about how he’s been working in his garden, and there’s a picture of him with his Dachshund sausage dog.

He just makes great music; really clever, beautiful, musical and easy, not pretentious at all. The first song on the album is called “Baseball”, and he sings “love is just like baseball,” and makes comparisons like “three strikes and you’re out” and all that kind of stuff. It’s so stupid and so good–made by some of the best musicians in the world, really high-league, but with a perfect balance of naivety to it. He’s all about the songs and has made like 20 albums, an album every 2 or 3 years since the ’70s.

He’s not super big or super famous, but he’s well-known and has had a big career–he’s a superstar in my eyes. If I had to choose my favourite song on this record, it would be the title track “One Bad Habit”, it has such a great groove, and really captures that idea of the soft power of yacht rock / soft rock – it’s so soft and so sleek it’s almost laughable, but it carries a real punch. It has this real greatness to it.

Benny Sings’ Young Hearts  is available to pre-order on vinyl ahead of its March 24 release.

• benny sings
• discovering

A24 is releasing the soundtrack for The Whale on vinyl

Pro-ject has announced two new record cleaning machines.

Sign up to our weekly newsletter

Never miss a thing

Latest Articles

Our favourite vinyl releases of the week

10 essential Record Store Day 2024 releases

VF Live x Aloha Got Soul: Timo Lee

This week’s VF HQ playlist

• Action/Adventure
• Children's/Family
• Documentary/Reality
• Amazon Prime Video

More From Decider

Holly Madison Names “Major Movie Stars” Who Started As Exotic Dancers...

'The View's Whoopi Goldberg Blasts Republicans For "Stupid" Question...

R.I.P. Chance Perdomo: ‘Gen V’ & ‘Chilling Adventures Of...

Kyra Sedgwick Tells 'The View' It's Hard To Film Sex Scenes With Husband...

‘10 Things I Hate About You’ Turns 25: Writers Karen McCullah and...

Jenn Tran's 'Bachelorette' Season: Everything We Know About Season 21

'The Bachelor' Season 28 Finale Recap: Did Joey Graziadei Get Engaged To...

'The View' Audience Groans After Kathy Griffin Compares Herself To...

Share this:.

• Click to share on Facebook (Opens in new window)
• Click to share on Twitter (Opens in new window)
• Click to share on WhatsApp (Opens in new window)
• Click to email a link to a friend (Opens in new window)
• Click to copy URL

‘Steely Dan: Aja (Classic Albums)’ Examines The Creation Of Essential Yacht Rock Tome

Where to stream:.

• Classic Albums: Steely Dan - Aja

Steely Dan are one of those bands you either love or hate. To some, they represent the highest peaks of songwriting and studio craft, with lyrical vignettes about lost souls and strange characters floating above impeccable instrumentation featuring complex chord structures and nods to jazz. To others, they’re bloated ’70s yacht rock at its worst, a musical diet soft-drink with no flavor or bite. Speaking personally, I am unable to hear them without a flood of memories of growing up in 1970s New York saturating my brain. I don’t own any albums and don’t know much beyond the hits, but yeah, I dig ‘em. 

Released in the fall of 1977, Steely Dan’s sixth album Aja was the full flowering of their use of session musicians and studio wizardry. Painstakingly recorded over the course of a year, its pristine production was glossy and slick but funky enough to be sampled by hip hop artists a decade later. The album found them reaching deeper than ever before into their love of jazz and R&B but was still pop enough to be a hit and remains a mainstay of classic rock radio. Its creation was the subject of a 1999 episode of the British music documentary series Classic Albums , which is currently available for streaming on Amazon Prime .    

Adding to the riddle of Steely Dan is the fact that they’re not really a band. Centered around songwriters Walter Becker and Donald Fagan, the same lineup played on their first three albums but starting with 1974’s Pretzel Logic , they increasingly relied on studio musicians. “We toured for a while to support the first couple of albums but didn’t really like it so we stopped in 1974,” explains Becker, who also played bass and guitar with the band before his death in 2017. “By the time we released Aja , the other members of the band were gone except for (guitarist) Denny Dias and we had replaced them with session musicians and some of our favorite soloists.”

Becker and Fagan met at Bard College, a couple hours north of New York City. “When they’re in the same room at the same time it’s like one person with two brains,” says Dias. “They can usually finish each other’s sentences.” With Dias, they relocated to Los Angeles but brought their East Coast sensibilities with them. “I don’t know that we were nostalgic in a general sort of way for New York so much as we were nostalgic as writers for this milieu that we left behind,” says Becker. “We weren’t finished writing songs with New York characters in them yet.” 

Though Steely Dan were marketed as a rock band, Becker and Fagan drew inspiration drew from a deeper well. “Both Walter and I have a background that includes songwriting from the ‘20s, ‘30s and ‘40s and ‘50s,” says Fagan, who is also the band’s lead singer. After the first generation of rock n’ roll faded away he turned to jazz and as a fan of movie and television soundtracks he enjoyed “real jazz and fake jazz and fake, fake jazz.” Both English majors, Becker and Fagan felt liberated by the lyrical breakthroughs of Bob Dylan, who Becker says. “opened the door to a larger world of possibilities and realized that by superimposing more interesting or more literate or more obscure or more extravagant lyrics on rock and roll beats you would end up with something intriguing.” 

By the time they recorded Aja , Becker and Fagan were using both the recording studio and session musicians as instruments unto themselves in order to bring their songs to life. “I was always amazed that they pretty much heard in their heads what it was going to be like completed,” says longtime engineer Roger Nichols. As session drummer Rick Marotta notes, “It wasn’t like they played musical chairs with the guys in the band. They played musical bands. The whole band would go and a whole incredible other band would come in.” 

As with other  Classic Albums episodes, we see Becker and Fagan listening back to the master recordings, isolating certain tracks, and unlocking their mystery. With nerdy chagrin, they delight in sorting through the numerous overdubs, a faux string section here, a garbage pail lid there, and sample the alternate guitar solos that didn’t make the cut before Jay Graydon nailed his on the hit single “Peg.” Though they might spend weeks trying to nail a particular song, session guitarist Dean Parks says the ultimate goal was not perfection but to create “something that you want to listen to over and over again. So we would work then past the perfection point until it became natural, until it sounded almost improvised in a way.” 

Released in September 1977, Aja would go on to sell over 2 million copies and is Steely Dan’s most commercially successful album. Producer Gary Katz says, “I think Aja probably was a turning point where the music really became another level of sophistication of writing and performing for Donald and Walter.” The episode ends with Becker, Fagan and some of the musicians who played on the album running through instrumental versions of “Peg” and “Josie,” illustrating their irrefutable musicality and enduring appeal.   

Benjamin H. Smith is a New York based writer, producer and musician. Follow him on Twitter: @BHSmithNYC.

Where to stream Classic Albums: Steely Dan - Aja

• music documentaries
• Prime Video

Does 'Yellowstone' Return Tonight? The Latest Updates On 'Yellowstone's Season 5, Part 2 Premiere Date

Is 'The Chosen' Season 4 Available To Stream?

Maya Rudolph On The Fake ‘Golden Girls’ Remake Poster: “I Just Want To Say For Amy: Whoever Did This, F*** You”

'The Accountant 2:' Release Date, Plot, and Everything We Know About the Ben Affleck Sequel

Melissa Barrera Speaks Out On “Mean-Spirited” Reception Of Lin-Manuel Miranda’s ‘In The Heights’: “It Was Very Heartbreaking”

Zooey Deschanel Denies That “Nepotism” Helped Her In Hollywood: “No One’s Getting Jobs Because Their Dad’s A DP”

Yacht Rock Hits

January 12, 2023 75 Songs, 4 hours, 58 minutes ℗ 2023 Warner Music Group - X5 Music Group

Music Videos

Andrew Gold

Michael McDonald

David Foster

Featured On

Apple Music Classic Rock

Apple Music ’90s

Apple Music Pop

Apple Music Jazz

Select a country or region

Africa, middle east, and india.

• Côte d’Ivoire
• Congo, The Democratic Republic Of The
• Guinea-Bissau
• Niger (English)
• Congo, Republic of
• Saudi Arabia
• Sierra Leone
• South Africa
• Tanzania, United Republic Of
• Turkmenistan
• United Arab Emirates

Asia Pacific

• Indonesia (English)
• Lao People's Democratic Republic
• Malaysia (English)
• Micronesia, Federated States of
• New Zealand
• Papua New Guinea
• Philippines
• Solomon Islands
• Bosnia and Herzegovina
• France (Français)
• Deutschland
• Luxembourg (English)
• Moldova, Republic Of
• North Macedonia
• Portugal (Português)
• Türkiye (English)
• United Kingdom

Latin America and the Caribbean

• Antigua and Barbuda
• Argentina (Español)
• Bolivia (Español)
• Virgin Islands, British
• Cayman Islands
• Chile (Español)
• Colombia (Español)
• Costa Rica (Español)
• República Dominicana
• Ecuador (Español)
• El Salvador (Español)
• Guatemala (Español)
• Honduras (Español)
• Nicaragua (Español)
• Paraguay (Español)
• St. Kitts and Nevis
• Saint Lucia
• St. Vincent and The Grenadines
• Trinidad and Tobago
• Turks and Caicos
• Uruguay (English)
• Venezuela (Español)

The United States and Canada

• Canada (English)
• Canada (Français)
• United States
• Estados Unidos (Español México)
• الولايات المتحدة
• États-Unis (Français France)
• Estados Unidos (Português Brasil)
• 美國 (繁體中文台灣)

Spotify is currently not available in your country.

Follow us online to find out when we launch., spotify gives you instant access to millions of songs – from old favorites to the latest hits. just hit play to stream anything you like..

Listen everywhere

Spotify works on your computer, mobile, tablet and TV.

Unlimited, ad-free music

No ads. No interruptions. Just music.

Download music & listen offline

Keep playing, even when you don't have a connection.

Premium sounds better

Get ready for incredible sound quality.