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Top 50 Yacht Rock Songs

Yacht rock was one of the most commercially successful genres to emerge from the '70s and yet has managed to evade concise definition since its inception. For many listeners, it boils down to a feeling or mood that cannot be found in other kinds of music: Simply put, you know it when you hear it.

Some agreed-upon elements are crucial to yacht rock. One is its fluidity, with more emphasis on a catchy, easy-feeling melody than on beat or rhythm. Another is a generally lighthearted attitude in the lyrics. Think Seals & Crofts ' "Summer Breeze," Christopher Cross ' "Ride Like the Wind" or Bill Withers ' "Just the Two of Us." Yes, as its label suggests, music that would fit perfectly being played from the deck of a luxurious boat on the high seas.

But even these roughly outlined "rules" can be flouted and still considered yacht rock. Plenty of bands that are typically deemed "nyacht" rock have made their attempts at the genre: Crosby, Stills & Nash got a bit nautical with "Southern Cross," leading with their famed tightly knit harmonies, and Fleetwood Mac also entered yacht rock territory with "Dreams" – which, although lyrically dour, offers a sense of melody in line with yacht rock.

Given its undefined parameters, the genre has become one of music's most expansive corners. From No. 1 hits to deeper-cut gems, we've compiled a list of 50 Top Yacht Rock Songs to set sail to below.

50. "Thunder Island," Jay Ferguson (1978)

Younger generations might be more apt to recognize Jay Ferguson from his score for NBC's The Office , where he also portrayed the guitarist in Kevin Malone's band Scrantonicity. But Ferguson's musical roots go back to the '60s band Spirit; he was also in a group with one of the future members of Firefall, signaling a '70s-era shift toward yacht rock and "Thunder Island." The once-ubiquitous single began its steady ascent in October 1977 before reaching the Top 10 in April of the following year. Producer Bill Szymczyk helped it get there by bringing in his buddy Joe Walsh for a soaring turn on the slide. The best showing Ferguson had after this, however, was the quickly forgotten 1979 Top 40 hit "Shakedown Cruise." (Nick DeRiso)

49. "Southern Cross," Crosby, Stills & Nash (1982)

CSN's "Southern Cross" was an example of a more literal interpretation of yacht rock, one in which leftover material was revitalized by Stephen Stills . He sped up the tempo of a song titled " Seven League Boots " originally penned by brothers Rick and Michael Curtis, then laid in new lyrics about, yes, an actual boat ride. "I rewrote a new set of words and added a different chorus, a story about a long boat trip I took after my divorce," Stills said in the liner notes  to 1991's CSN box. "It's about using the power of the universe to heal your wounds." The music video for the song, which went into heavy rotation on MTV, also prominently displayed the band members aboard a large vessel. (Allison Rapp)

48. "Jackie Blue," the Ozark Mountain Daredevils (1974)

Drummer Larry Lee only had a rough idea of what he wanted to do with "Jackie Blue," originally naming it after a bartending dope pusher. For a long time, the Ozark Mountain Daredevils' best-known single remained an instrumental with the place-keeper lyric, " Ooh, ooh, ooh, ooh Jackie Blue. He was dada, and dada doo. He did this, he did that ... ." Producer Glyn Johns, who loved the track, made a key suggestion – and everything finally snapped into place: "No, no, no, mate," Johns told them. "Jackie Blue has to be a girl." They "knocked some new lyrics out in about 30 minutes," Lee said in It Shined: The Saga of the Ozark Mountain Daredevils . "[From] some drugged-out guy, we changed Jackie into a reclusive girl." She'd go all the way to No. 3. (DeRiso)

47. "Sailing," Christopher Cross (1979)

You’d be hard-pressed to find a more quintessential yacht rock song than “Sailing.” The second single (and first chart-topper) off Christopher Cross’ 1979 self-titled debut offers an intoxicating combination of dreamy strings, singsong vocals and shimmering, open-tuned guitar arpeggios that pay deference to Cross’ songwriting idol, Joni Mitchell . “These tunings, like Joni used to say, they get you in this sort of trance,” Cross told Songfacts in 2013. “The chorus just sort of came out. … So I got up and wandered around the apartment just thinking, ‘Wow, that's pretty fuckin' great.’” Grammy voters agreed: “Sailing” won Record of the Year, Song of the Year and Best Arrangement at the 1981 awards. (Bryan Rolli)

46. "Just the Two of Us," Bill Withers and Grover Washington Jr. (1980)

A collaboration between singer Bill Withers and saxophonist Grover Washington Jr. resulted in the sleek "Just the Two of Us." When first approached with the song, Withers insisted on reworking the lyrics. "I'm a little snobbish about words," he said in 2004 . "I said, 'Yeah, if you'll let me go in and try to dress these words up a little bit.' Everybody that knows me is kind of used to me that way. I probably threw in the stuff like the crystal raindrops. The 'Just the Two of Us' thing was already written. It was trying to put a tuxedo on it." The track was completed with some peppy backing vocals and a subtle slap bass part. (Rapp)

45. "Sara Smile," Daryl Hall & John Oates (1975)

It doesn't get much smoother than "Sara Smile," Daryl Hall & John Oates ' first Top 10 hit in the U.S. The song was written for Sara Allen, Hall's longtime girlfriend, whom he had met when she was working as a flight attendant. His lead vocal, which was recorded live, is clear as a bell on top of a velvety bass line and polished backing vocals that nodded to the group's R&B influences. “It was a song that came completely out of my heart," Hall said in 2018 . "It was a postcard. It’s short and sweet and to the point." Hall and Allen stayed together for almost 30 years before breaking up in 2001. (Rapp)

44. "Rosanna," Toto (1982)

One of the most identifiable hits of 1982 was written by Toto co-founder David Paich – but wasn't about Rosanna Arquette, as some people have claimed, even though keyboardist Steve Porcaro was dating the actress at the time. The backbeat laid down by drummer Jeff Porcaro – a "half-time shuffle" similar to what John Bonham played on " Fool in the Rain " – propels the track, while vocal harmonies and emphatic brass sections add further layers. The result is an infectious and uplifting groove – yacht rock at its finest. (Corey Irwin)

43. "Diamond Girl," Seals & Crofts (1973)

Seals & Crofts were soft-rock stylists with imagination, dolling up their saccharine melodies with enough musical intrigue to survive beyond the seemingly obvious shelf life. Granted, the lyrics to “Diamond Girl,” one of the duo’s three No. 6 hits, are as sterile as a surgery-operating room, built on pseudo-romantic nothing-isms ( “Now that I’ve found you, it’s around you that I am” — what a perfectly natural phrase!). But boy, oh boy does that groove sound luxurious beaming out of a hi-fi system, with every nuance — those stacked backing vocals, that snapping piano — presented in full analog glory. (Ryan Reed)

42. "What You Won't Do for Love," Bobby Caldwell (1978)

Smooth. From the opening horn riffs and the soulful keyboard to the funk bass and the velvety vocals of Bobby Caldwell, everything about “What You Won’t Do for Love” is smooth. Released in September 1978, the track peaked at No. 9 on the Billboard Hot 100 and went on to become the biggest hit of Caldwell’s career. It was later given a second life after being sampled for rapper 2Pac's posthumously released 1998 hit single “Do for Love.” (Irwin)

41. "We Just Disagree," Dave Mason (1977)

Dave Mason's ace in the hole on the No. 12 smash "We Just Disagree" was Jim Krueger, who composed the track, shared the harmony vocal and played that lovely guitar figure. "It was a song that when he sang it to me, it was like, 'Yeah, that's the song,'" Mason told Greg Prato in 2014. "Just him and a guitar, which is usually how I judge whether I'm going to do something. If it holds up like that, I'll put the rest of the icing on it." Unfortunately, the multitalented Krueger died of pancreatic cancer at age 43. By then, Mason had disappeared from the top of the charts, never getting higher than No. 39 again. (DeRiso)

40. "Crazy Love," Poco (1978)

Rusty Young was paneling a wall when inspiration struck. He'd long toiled in the shadow of Stephen Stills , Richie Furay and Neil Young , serving in an instrumentalist role with Buffalo Springfield and then Poco . "Crazy Love" was his breakout moment, and he knew it. Rusty Young presented the song before he'd even finished the lyric, but his Poco bandmates loved the way the stopgap words harmonized. "I told the others, 'Don't worry about the ' ooh, ooh, ahhhh haaa ' part. I can find words for that," Young told the St. Louis Dispatch in 2013. "And they said, 'Don't do that. That's the way it's supposed to be.'" It was: Young's first big vocal became his group's only Top 20 hit. (DeRiso)

39. "Suspicions," Eddie Rabbitt (1979)

Eddie Rabbitt 's move from country to crossover stardom was hurtled along by "Suspicions," as a song about a cuckold's worry rose to the Top 20 on both the pop and adult-contemporary charts. Behind the scenes, there was an even clearer connection to yacht rock: Co-writer Even Stevens said Toto's David Hungate played bass on the date. As important as it was for his career, Rabbitt later admitted that he scratched out "Suspicions" in a matter of minutes, while on a lunch break in the studio on the last day of recording his fifth album at Wally Heider's Los Angeles studio. "Sometimes," Rabbitt told the Associated Press in 1985, "the words just fall out of my mouth." (DeRiso)

38. "Moonlight Feels Right," Starbuck (1976)

No sound in rock history is more yacht friendly than Bruce Blackman’s laugh: hilarious, arbitrary, smug, speckled with vocal fry, arriving just before each chorus of Starbuck’s signature tune. Why is this human being laughing? Shrug. Guess the glow of night will do that to you. Then again, this is one of the more strange hits of the '70s — soft-pop hooks frolicking among waves of marimba and synthesizers that could have been plucked from a classic prog epic. “ The eastern moon looks ready for a wet kiss ,” Blackman croons, “ to make the tide rise again .” It’s a lunar make-out session, baby. (Reed)

37. "Same Old Lang Syne," Dan Fogelberg (1981)

“Same Old Lang Syne” is a masterclass in economic storytelling, and its tragedy is in the things both protagonists leave unsaid. Dan Fogelberg weaves a devastating tale of two former lovers who run into each other at a grocery store on Christmas Eve and spend the rest of the night catching up and reminiscing. Their circumstances have changed — he’s a disillusioned professional musician, she’s stuck in an unhappy marriage — but their love for each other is still palpable if only they could overcome their fears and say it out loud. They don’t, of course, and when Fogelberg bids his high-school flame adieu, he’s left with only his bittersweet memories and gnawing sense of unfulfillment to keep him warm on that snowy (and later rainy) December night. (Rolli)

36. "Eye in the Sky," the Alan Parsons Project (1982)

Few songs strike a chord with both prog nerds and soft-rock enthusiasts, but the Alan Parsons Project's “Eye in the Sky” belongs to that exclusive club. The arrangement is all smooth contours and pillowy textures: By the time Eric Woolfson reaches the chorus, shyly emoting about romantic deception over a bed of Wurlitzer keys and palm-muted riffs, the effect is like falling slow motion down a waterfall onto a memory foam mattress. But there’s artfulness here, too, from Ian Bairnson’s seductive guitar solo to the titular phrase conjuring some kind of god-like omniscience. (Reed)

35. "Somebody's Baby," Jackson Browne (1982)

Jackson Browne 's highest-charting single, and his last Top 10 hit, was originally tucked away on the soundtrack for the 1982 teen comedy Fast Times at Ridgemont High . That placed Browne, one of the most earnest of singer-songwriters, firmly out of his element. "It was not typical of what Jackson writes at all, that song," co-composer Danny Kortchmar told Songfacts in 2013. "But because it was for this movie, he changed his general approach and came up with this fantastic song." Still unsure of how it would fit in, Browne refused to place "Somebody's Baby" on his next proper album – something he'd later come to regret . Lawyers in Love broke a string of consecutive multiplatinum releases dating back to 1976. (DeRiso)

34. "Still the One," Orleans (1976)

Part of yacht rock’s charm is being many things but only to a small degree. Songs can be jazzy, but not experimental. Brass sections are great but don’t get too funky. And the songs should rock, but not rock . In that mold comes Orleans’ 1976 hit “Still the One.” On top of a chugging groove, frontman John Hall sings about a romance that continues to stand the test of time. This love isn’t the white-hot flame that leaves passionate lovers burned – more like a soft, medium-level heat that keeps things comfortably warm. The tune is inoffensive, catchy and fun, aka yacht-rock gold. (Irwin)

33. "New Frontier," Donald Fagen (1982)

In which an awkward young man attempts to spark a Cold War-era fling — then, hopefully, a longer, post-apocalyptic relationship — via bomb shelter bunker, chatting up a “big blond” with starlet looks and a soft spot for Dave Brubeck. Few songwriters could pull off a lyrical concept so specific, and almost no one but Donald Fagen could render it catchy. “New Frontier,” a signature solo cut from the Steely Dan maestro, builds the sleek jazz-funk of Gaucho into a more digital-sounding landscape, with Fagen stacking precise vocal harmonies over synth buzz and bent-note guitar leads. (Reed)

32. "Sail On, Sailor," the Beach Boys (1973)

The Beach Boys were reworking a new album when Van Dyke Parks handed them this updated version of an unfinished Brian Wilson song. All that was left was to hand the mic over to Blondie Chaplin for his greatest-ever Beach Boys moment. They released "Sail On, Sailor" twice, however, and this yearning groover somehow barely cracked the Top 50. Chaplin was soon out of the band, too. It's a shame. "Sail On, Sailor" remains the best example of how the Beach Boys' elemental style might have kept growing. Instead, Chaplin went on to collaborate with the Band , Gene Clark of the  Byrds  and the Rolling Stones – while the Beach Boys settled into a lengthy tenure as a jukebox band. (DeRiso)

31. "Time Passages," Al Stewart (1978)

Al Stewart followed up the first hit single of his decade-long career – 1976's "Year of the Cat" – with a more streamlined take two years later. "Time Passages" bears a similar structure to the earlier track, including a Phil Kenzie sax solo and production by Alan Parsons. While both songs' respective album and single versions coincidentally run the same time, the 1978 hit's narrative wasn't as convoluted and fit more squarely into pop radio playlists. "Time Passages" became Stewart's highest-charting single, reaching No. 7 – while "Year of the Cat" had stalled at No. 8. (Michael Gallucci)

30. "I Go Crazy," Paul Davis (1977)

Paul Davis looked like he belonged in the Allman Brothers Band , but his soft, soulful voice took him in a different direction. The slow-burning nature of his breakthrough single "I Go Crazy" was reflected in its chart performance: For years the song held the record for the most weeks spent on the chart, peaking at No. 7 during its 40-week run. Davis, who died in 2008, took five more songs into the Top 40 after 1977, but "I Go Crazy" is his masterpiece – a wistful and melancholic look back at lost love backed by spare, brokenhearted verses. (Gallucci)

29. "Biggest Part of Me," Ambrosia (1980)

Songwriter David Pack taped the original demo of this song on a reel-to-reel when everyone else was running late, finishing just in time: "I was waiting for my family to get in the car so I could go to a Fourth of July celebration in Malibu," he told the Tennessean in 2014. "I turned off my machine [and] heard the car horn honking for me." Still, Pack was worried that the hastily written first verse – which rhymed " arisin ,'" " horizon " and " realizin '" – might come off a little corny. So he followed the time-honored yacht-rock tradition of calling in Michael McDonald to sing heartfelt background vocals. Result: a Top 5 hit on both the pop and adult-contemporary charts. (DeRiso)

28. "Africa," Toto (1982)

Remove the cover versions, the nostalgia sheen and its overuse in TV and films, and you’re left with what makes “Africa” great: one of the best earworm choruses in music history. Never mind that the band is made up of white guys from Los Angeles who'd never visited the titular continent. Verses about Mt. Kilimanjaro and the Serengeti paint a picture so vivid that listeners are swept away. From the soaring vocals to the stirring synth line, every element of the song works perfectly. There’s a reason generations of music fans continue to proudly bless the rains. (Irwin)

27. "Hello It's Me," Todd Rundgren (1972)

“Hello It’s Me” is the first song Todd Rundgren ever wrote, recorded by his band Nazz and released in 1968. He quickened the tempo, spruced up the instrumentation and delivered a more urgent vocal for this 1972 solo rendition (which became a Top 5 U.S. hit), but the bones of the tune remain the same. “Hello It’s Me” is a wistful, bittersweet song about the dissolution of a relationship between two people who still very much love and respect each other a clear-eyed breakup ballad lacking the guile, cynicism and zaniness of Rundgren’s later work. “The reason those [early] songs succeeded was because of their derivative nature,” Rundgren told Guitar World in 2021. “They plugged so easily into audience expectations. They’re easily absorbed.” That may be so, but there’s still no denying the airtight hooks and melancholy beauty of “Hello It’s Me.” (Rolli)

26. "Smoke From a Distant Fire," the Sanford/Townsend Band (1977)

There are other artists who better define yacht rock - Michael McDonald, Steely Dan, Christopher Cross - but few songs rival the Sanford/Townsend Band's "Smoke From a Distant Fire" as a more representative genre track. (It was a Top 10 hit in the summer of 1977. The duo never had another charting single.) From the vaguely swinging rhythm and roaring saxophone riff to the light percussion rolls and risk-free vocals (that nod heavily to Daryl Hall and John Oates' blue-eyed soul), "Smoke" may be the most definitive yacht rock song ever recorded. We may even go as far as to say it's ground zero. (Gallucci)

25. "Dream Weaver," Gary Wright (1975)

Unlike many other songs on our list, “Dream Weaver” lacks lush instrumentation. Aside from Gary Wright’s vocals and keyboard parts, the only added layer is the drumming of Jim Keltner. But while the track may not have guitars, bass or horns, it certainly has plenty of vibes. Inspired by the writings of Paramahansa Yogananda – which Wright was turned on to by George Harrison – “Dream Weaver” boasts a celestial aura that helped the song peak at No. 2 in 1976. (Irwin)

24. "Reminiscing," Little River Band (1978)

The third time was the charm with Little River Band 's highest-charting single in the U.S. Guitarist Graeham Goble wrote "Reminiscing" for singer Glenn Shorrock with a certain keyboardist in mind. Unfortunately, they weren't able to schedule a session with Peter Jones, who'd played an important role in Little River Band's first-ever charting U.S. single, 1976's "It's a Long Way There ." They tried it anyway but didn't care for the track. They tried again, with the same results. "The band was losing interest in the song," Goble later told Chuck Miller . "Just before the album was finished, Peter Jones came back into town, [and] the band and I had an argument because I wanted to give 'Reminiscing' a third chance." This time they nailed it. (DeRiso)

23. "Heart Hotels," Dan Fogelberg (1979)

Ironically enough, this song about debilitating loneliness arrived on an album in which Dan Fogelberg played almost all of the instruments himself. A key concession to the outside world became the most distinctive musical element on "Heart Hotels," as well-known saxophonist Tom Scott took a turn on the Lyricon – a pre-MIDI electronic wind instrument invented just a few years earlier. As for the meaning of sad songs like these, the late Fogelberg once said : "I feel experiences deeply, and I have an outlet, a place where I can translate those feelings. A lot of people go to psychoanalysts. I write songs." (DeRiso)

22. "Year of the Cat," Al Stewart (1976)

Just about every instrument imaginable can be heard in Al Stewart's "Year of the Cat." What begins with an elegant piano intro winds its way through a string section and a sultry sax solo, then to a passionate few moments with a Spanish acoustic guitar. The sax solo, often a hallmark of yacht-rock songs, was not Stewart's idea. Producer Alan Parsons suggested it at the last minute, and Stewart thought it was the "worst idea I'd ever heard. I said, 'Alan, there aren’t any saxophones in folk-rock. Folk-rock is about guitars. Sax is a jazz instrument,'" Stewart said in 2021 . Multiple lengthy instrumental segments bring the song to nearly seven minutes, yet each seems to blend into the next like a carefully arranged orchestra. (Rapp)

21. "How Long," Ace (1974)

How long does it take to top the charts? For the Paul Carrack-fronted Ace: 45 years . "I wrote the lyric on the bus going to my future mother-in-law's," he later told Gary James . "I wrote it on the back of that bus ticket. That's my excuse for there only being one verse." Ace released "How Long" in 1975, reaching No. 3, then Carrack moved on to stints with Squeeze and Mike and the Mechanics . Finally, in 2020, "How Long" rose two spots higher, hitting No. 1 on Billboard's rock digital song sales chart after being featured in an Amazon Prime advertisement titled "Binge Cheat." (DeRiso)

20. "Brandy (You're a Fine Girl)," Looking Glass (1972)

Like "Summer Breeze" (found later in our list of Top 50 Yacht Rock Songs), Looking Glass' tale of an alluring barmaid in a busy harbor town pre-dates the classic yacht-rock era. Consider acts like Seals & Crofts and these one-hit wonders pioneers of the genre. Ironically, the effortless-sounding "Brandy (You're a Fine Girl)" was quite difficult to complete. "We recorded 'Brandy' two or three different times with various producers before we got it right," Looking Glass' principal songwriter Elliot Lurie told the Tennessean in 2016. The chart-topping results became so popular so fast, however, that Barry Manilow had to change the title of a new song he was working on to " Mandy ." (DeRiso)

19. "I Can't Tell You Why," Eagles (1979)

Timothy B. Schmit joined just in time to watch the  Eagles disintegrate. But things couldn't have started in a better place for the former Poco member. He arrived with the makings of his first showcase moment with the group, an unfinished scrap that would become the No. 8 hit "I Can't Tell You Why." For a moment, often-contentious band members rallied around the outsider. Don Henley and Glenn Frey both made key contributions, as Eagles completed the initial song on what would become 1979's The Long Run . Schmit felt like he had a reason to be optimistic. Instead, Eagles released the LP and then promptly split up. (DeRiso)

18. "Sentimental Lady," Bob Welch (1977)

Bob Welch  first recorded "Sentimental Lady" in 1972 as a member of Fleetwood Mac . Five years later, after separating from a band that had gone on to way bigger things , Welch revisited one of his best songs and got two former bandmates who appeared on the original version – Mick Fleetwood and Christine McVie – to help out (new Mac member Lindsey Buckingham also makes an appearance). This is the better version, warmer and more inviting, and it reached the Top 10. (Gallucci)

17. "So Into You," Atlanta Rhythm Section (1976)

Atlanta Rhythm Section is often wrongly categorized as a Southern rock band, simply because of their roots in Doraville, Ga. Songs like the seductively layered "So Into You" illustrate how little they had in common with the likes of Lynyrd Skynyrd . As renowned Muscle Shoals sessions ace David Hood once said, they're more like the " Steely Dan of the South ." Unfortunately, time hasn't been kind to the group. Two of this best-charting single's writers have since died , while keyboardist Dean Daughtry retired in 2019 as Atlanta Rhythm Section's last constant member. (DeRiso)

16. "Dreams," Fleetwood Mac (1977)

Stevie Nicks was trying to channel the heartbreak she endured after separating from Lindsey Buckingham into a song, but couldn't concentrate among the bustle of Fleetwood Mac's sessions for Rumours . "I was kind of wandering around the studio," she later told Yahoo! , "looking for somewhere I could curl up with my Fender Rhodes and my lyrics and a little cassette tape recorder." That's when she ran into a studio assistant who led her to a quieter, previously unseen area at Sausalito's Record Plant. The circular space was surrounded by keyboards and recording equipment, with a half-moon bed in black-and-red velvet to one side. She settled in, completing "Dreams" in less than half an hour, but not before asking the helpful aide one pressing question: "I said, 'What is this?' And he said, 'This is Sly Stone 's studio.'" (DeRiso)

15. "Minute by Minute," the Doobie Brothers (1978)

Michael McDonald was so unsure of this album that he nervously previewed it for a friend. "I mean, all the tunes have merit, but I don't know if they hang together as a record," McDonald later told UCR. "He looked at me and he said, 'This is a piece of shit.'" Record buyers disagreed, making Minute by Minute the Doobie Brothers' first chart-topping multiplatinum release. Such was the mania surrounding this satiny-smooth LP that the No. 14 hit title track lost out on song-of-the-year honors at the Grammys to "What a Fool Believes" (found later in our list of Top 50 Yacht Rock Songs) by the Doobie Brothers. (DeRiso)

14. "Lonely Boy," Andrew Gold (1976)

Andrew Gold’s only Top 10 U.S. hit is a story of parental neglect and simmering resentment, but those pitch-black details are easy to miss when couched inside such a deliciously upbeat melody. Gold chronicles the childhood of the titular lonely boy over a propulsive, syncopated piano figure, detailing the betrayal he felt when his parents presented him with a sister two years his junior. When he turns 18, the lonely boy ships off to college and leaves his family behind, while his sister gets married and has a son of her own — oblivious to the fact that she’s repeating the mistakes of her parents. Gold insisted “Lonely Boy” wasn’t autobiographical, despite the details in the song matching up with his own life. In any case, you can’t help but wonder what kind of imagination produces such dark, compelling fiction. (Rolli)

13. "Baby Come Back," Player (1977)

Liverpool native Peter Beckett moved to the States, originally to join a forgotten act called Skyband. By the time he regrouped to found Player with American J.C. Crowley, Beckett's wife had returned to England. Turns out Crowley was going through a breakup, too, and the Beckett-sung "Baby Come Back" was born. "So it was a genuine song, a genuine lyric – and I think that comes across in the song," Beckett said in The Yacht Rock Book . "That's why it was so popular." The demo earned Player a hastily signed record deal, meaning Beckett and Crowley had to assemble a band even as "Baby Come Back" rose to No. 1. Their debut album was released before Player had ever appeared in concert. (DeRiso)

12. "I'd Really Love to See You Tonight," England Dan & John Ford Coley (1976)

There aren't too many songs with choruses as big as the one England Dan & John Ford Coley pump into the key lines of their first Top 40 single. Getting there is half the fun: The conversational verses – " Hello, yeah, it's been a while / Not much, how 'bout you? / I'm not sure why I called / I guess I really just wanted to talk to you " – build into the superpowered come-on line " I'm not talking 'bout moving in ...  ." Their yacht-rock pedigree is strong: Dan Seals' older brother is Seals & Croft's Jim Seals. (Gallucci)

11. "Hey Nineteen," Steely Dan (1980)

At least on the surface, “Hey Nineteen” is one of Steely Dan’s least ambiguous songs: An over-the-hill guy makes one of history’s most cringe-worthy, creepiest pick-up attempts, reminiscing about his glory days in a fraternity and lamenting that his would-be companion doesn’t know who Aretha Franklin is. (The bridge is a bit tougher to crack. Is anyone sharing that “fine Colombian”?) But the words didn’t propel this Gaucho classic into Billboard's Top 10. Instead, that credit goes to the groove, anchored by Walter Becker ’s gently gliding bass guitar, Donald Fagen’s velvety electric piano and a chorus smoother than top-shelf Cuervo Gold. (Reed)

10. "Rich Girl," Daryl Hall & John Oates (1976)

It’s one of the most economical pop songs ever written: two A sections, two B sections (the second one extended), a fade-out vocal vamp. In and out. Wham, bam, boom. Perhaps that's why it’s easy to savor “Rich Girl” 12 times in a row during your morning commute, why hearing it just once on the radio is almost maddening. This blue-eyed-soul single, the duo’s first No. 1 hit, lashes out at a supposedly entitled heir to a fast-food chain. (The original lyric was the less-catchy “rich guy ”; that one change may have earned them millions.) But there’s nothing bitter about that groove, built on Hall’s electric piano stabs and staccato vocal hook. (Reed)

9. "Fooled Around and Fell in Love," Elvin Bishop (1975)

Elvin Bishop made his biggest pop-chart splash with "Fooled Around and Fell In Love," permanently changing the first line of his bio from a  former member of the Paul Butterfield Blues Band to a solo star in his own right. There was only one problem: "The natural assumption was that it was Elvin Bishop who was singing,” singer  Mickey Thomas told the Tahoe Daily Tribune in 2007. Thomas later found even greater chart success with Starship alongside Donny Baldwin, who also played drums on Bishop's breakthrough single. "A lot of peers found out about me through that, and ultimately I did get credit for it," Thomas added. "It opened a lot of doors for me." (DeRiso)

8. "Baker Street," Gerry Rafferty (1978)

Gerry Rafferty already had a taste of success when his band Stealers Wheel hit the Top 10 with the Dylanesque "Stuck in the Middle With You" in 1973. His first solo album after the group's split, City to City , made it to No. 1 in 1978, thanks in great part to its hit single "Baker Street" (which spent six frustrating weeks at No. 2). The iconic saxophone riff by Raphael Ravenscroft gets much of the attention, but this single triumphs on many other levels. For six, mood-setting minutes Rafferty winds his way down "Baker Street" with a hopefulness rooted in eternal restlessness. (Gallucci)

7. "Dirty Work," Steely Dan (1972)

In just about three minutes, Steely Dan tells a soap-opera tale of an affair between a married woman and a man who is well aware he's being played but is too hopelessly hooked to end things. " When you need a bit of lovin' 'cause your man is out of town / That's the time you get me runnin' and you know I'll be around ," singer David Palmer sings in a surprisingly delicate tenor. A saxophone and flugelhorn part weeps underneath his lines. By the time the song is over, we can't help but feel sorry for the narrator who is, ostensibly, just as much part of the problem as he could be the solution. Not all yacht rock songs have happy endings. (Rapp)

6. "Ride Like the Wind," Christopher Cross (1979)

“Ride Like the Wind” is ostensibly a song about a tough-as-nails outlaw racing for the border of Mexico under cover of night, but there’s nothing remotely dangerous about Christopher Cross’ lithe tenor or the peppy piano riffs and horns propelling the tune. Those contradictions aren’t a detriment. This is cinematic, high-gloss pop-rock at its finest, bursting at the seams with hooks and elevated by Michael McDonald’s silky backing vocals. Cross nods to his Texas roots with a fiery guitar solo, blending hard rock and pop in a way that countless artists would replicate in the next decade. (Rolli)

5. "Summer Breeze," Seals & Crofts (1972)

Jim Seals and Dash Crofts were childhood friends in Texas, but the mellow grandeur of "Summer Breeze" makes it clear that they always belonged in '70s-era Southern California. "We operate on a different level," Seals once said , sounding like nothing if not a Laurel Canyon native. "We try to create images, impressions and trains of thought in the minds of our listeners." This song's fluttering curtains, welcoming domesticity and sweet jasmine certainly meet that standard. For some reason, however, they released this gem in August 1972 – as the season faded into fall. Perhaps that's why "Summer Breeze" somehow never got past No. 6 on the pop chart. (DeRiso)

4. "Lowdown," Boz Scaggs (1976)

As you throw on your shades and rev the motor, the only thing hotter than the afternoon sun is David Hungate’s sweet slap-bass blasting from the tape deck. “This is the good life,” you say to no one in particular, casually tipping your baseball cap to the bikini-clad crew on the boat zooming by. Then you press “play” again. What else but Boz Scaggs ’ silky “Lowdown” could soundtrack such a moment in paradise? Everything about this tune, which cruised to No. 3 on the Billboard Hot 100, is equally idyllic: Jeff Porcaro’s metronomic hi-hat pattern, David Paich’s jazzy keyboard vamp, the cool-guy croon of Scaggs — flexing about gossip and “schoolboy game.” You crack open another cold one — why not? And, well, you press play once more. (Reed)

3. "Lido Shuffle," Boz Scaggs (1976)

Scaggs' storied career began as a sideman with Steve Miller  and already included a scorching duet with Duane Allman . Co-writer David Paich would earn Grammy-winning stardom with songs like "Africa." Yet they resorted to theft when it came to this No. 11 smash. Well, in a manner of speaking: "'Lido' was a song that I'd been banging around, and I kind of stole – well, I didn't steal anything. I just took the idea of the shuffle," Scaggs told Songfacts in 2013. "There was a song that Fats Domino did called 'The Fat Man ' that had a kind of driving shuffle beat that I used to play on the piano, and I just started kind of singing along with it. Then I showed it to Paich, and he helped me fill it out." Then Paich took this track's bassist and drummer with him to form Toto. (DeRiso)

2. "Peg," Steely Dan (1977)

"Peg" is blessed with several yacht-rock hallmarks: a spot on Steely Dan's most Steely Dan-like album, Aja , an impeccable airtightness that falls somewhere between soft-pop and jazz and yacht rock's stalwart captain, Michael McDonald, at the helm. (He may be a mere backing singer here, but his one-note chorus chirps take the song to another level.) Like most Steely Dan tracks, this track's meaning is both cynical and impenetrable, and its legacy has only grown over the years – from hip-hop samples to faithful cover versions. (Gallucci)

1. "What a Fool Believes," the Doobie Brothers (1978)

Michael McDonald not only steered the Doobie Brothers in a new direction when he joined in 1975, but he also made them a commercial powerhouse with the 1978 album Minute by Minute . McDonald co-wrote "What a Fool Believes" – a No. 1 single; the album topped the chart, too – with Kenny Loggins and sang lead, effectively launching a genre in the process. The song's style was copied for the next couple of years (most shamelessly in Robbie Dupree's 1980 Top 10 "Steal Away"), and McDonald became the bearded face of yacht rock. (Gallucci)

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The 20 greatest yacht rock songs ever, ranked

27 July 2022, 17:50

By Tom Eames

We can picture it now: lounging on a swish boat as it bobs along the water, sipping cocktails and improving our tan. Oh, and it's the 1980s.

There's only one style of music that goes with this image: Yacht rock.

What is Yacht Rock?

Also known as the West Coast Sound or adult-oriented rock, it's a style of soft rock from between the late 1970s and early 1980s that featured elements of smooth soul, smooth jazz, R&B, funk, rock and disco.

• The 40 greatest disco songs ever, ranked
• The 10 greatest and smoothest ever sax solos, ranked

Although its name has been used in a negative way, to us it's an amazing genre that makes us feel like we're in an episode of Miami Vice wearing shoulder pads and massive sunglasses.

Here are the very best songs that could be placed in this genre:

Player - 'Baby Come Back'

Player - Baby Come Back

Not the reggae classic of the same name, this 1977 track was Player's biggest hit.

After Player disbanded, singer Peter Beckett joined Australia's Little River Band, and he also wrote 'Twist of Fate' for Olivia Newton-John and 'After All This Time' for Kenny Rogers.

Steely Dan - 'FM'

It's tough just choosing one Steely Dan song for this list, but we've gone for this banger.

Used as the theme tune for the 1978 movie of the same name, the song is jazz-rock track, though its lyrics took a disapproving look at the genre as a whole, which was in total contrast to the film's celebration of it. Still, sounds great guys!

Bobby Goldsboro - 'Summer (The First Time)'

Bobby Goldsboro - Summer (The First Time)

A bit of a questionable subject matter, this ballad was about a 17-year-old boy’s first sexual experience with a 31-year-old woman at the beach.

But using a repeating piano riff, 12-string guitar, and an orchestral string arrangement, this song just screams yacht rock and all that is great about it.

Kenny Loggins - 'Heart to Heart'

Kenny Loggins - Heart To Heart (Official Music Video)

If Michael McDonald is the king of yacht rock, then Kenny Loggins is his trusted advisor and heir to the throne.

This track was co-written with Michael, and also features him on backing vocals. The song is about how most relationships do not stand the test of time, yet some are able to do so.

Airplay - 'Nothing You Can Do About It'

Nothin' You Can Do About It

You might not remember US band Airplay, but they did have their moment on the yacht.

Consisting of David Foster (who also co-wrote the Kenny Loggins song above), Jay Graydon and the brilliantly-named Tommy Funderburk, this tune was a cover of a Manhattan Transfer song, and was a minor hit in 1981.

Boz Scaggs - 'Lowdown'

Boz Scaggs - Lowdown (Official Audio)

We've moved slightly into smooth jazz territory with this track, which is guaranteed to put a smile on your face.

The song was co-written by David Paich, who would go on to form Toto along with the song's keyboardist David Paich, session bassist David Hungate, and drummer Jeff Porcaro.

Steve Winwood - 'Valerie'

Steve Winwood - Valerie (Official Video)

This song is probably as far as you can get into pop rock without totally leaving the yacht rock dock.

Legendary singer-songwriter Winwood recorded this gong about a man reminiscing about a lost love he hopes to find again someday.

Eric Prydz later sampled it in 2004 for the house number one track ‘Call on Me’, and presented it to Winwood, who was so impressed he re-recorded the vocals to better fit the track.

Toto - 'Rosanna'

Toto - Rosanna (Official HD Video)

We almost picked 'Africa' , but we reckon this tune just about pips it in the yacht rock game.

Written by David Paich, he has said that the song is based on numerous girls he had known.

As a joke, the band members initially played along with the common assumption that the song was based on actress Rosanna Arquette, who was dating Toto keyboard player Steve Porcaro at the time and coincidentally had the same name.

Chicago - 'Hard to Say I'm Sorry'

Chicago - Hard To Say I'm Sorry (Official Music Video)

Chicago began moving away from their horn-driven soft rock sound with their early 1980s output, including this synthesizer-filled power ballad.

• The 10 greatest Chicago songs, ranked

The album version segued into a more traditional Chicago upbeat track titled ‘Get Away’, but most radio stations at the time opted to fade out the song before it kicked in. Three members of Toto played on the track. Those guys are yacht rock kings!

Michael Jackson - 'Human Nature'

Michael Jackson - Human Nature (Audio)

A few non-rock artists almost made this list ( George Michael 's 'Careless Whisper' and Spandau Ballet 's 'True' are almost examples, but not quite), yet a big chunk of Thriller heavily relied on the yacht rock sound.

Michael Jackson proved just how popular the genre could get with several songs on the album, but 'Human Nature' is the finest example.

The Doobie Brothers - 'What a Fool Believes'

The Doobie Brothers - What A Fool Believes (Official Music Video)

Possibly THE ultimate yacht rock song on the rock end of the spectrum, and it's that man Michael McDonald.

Written by McDonald and Kenny Loggins, this was one of the few non-disco hits in America in the first eight months of 1979.

The song tells the story of a man who is reunited with an old love interest and attempts to rekindle a romantic relationship with her before discovering that one never really existed.

Michael Jackson once claimed he contributed at least one backing track to the original recording, but was not credited for having done so. This was later denied by the band.

Christopher Cross - 'Sailing'

Christopher Cross - Sailing (Official Audio)

We're not putting this in here just because it's called 'Sailing', it's also one of the ultimate examples of the genre.

Christopher Cross reached number one in the US in 1980, and VH1 later named it the most "softsational soft rock" song of all time.

Don Henley - 'The Boys of Summer'

The Boys Of Summer DON HENLEY(1984) OFFICIAL MUSIC VIDEO

Mike Campbell wrote the music to this track while working on Tom Petty’s Southern Accents album, but later gave it to Eagles singer Don Henley, who wrote the lyrics.

The song is about the passing of youth and entering middle age, and of a past relationship. It was covered twice in the early 2000s: as a trance track by DJ Sammy in 2002, and as a pop punk hit by The Ataris in 2003.

England Dan and John Cord Foley - 'I'd Really Love to See You Tonight'

England Dan & John Ford Coley - I'd Really Love To See You Tonight.avi

A big hit for this duo in 1976, it showcases the very best of the sock rock/AOR/yacht rock sound that the 1970s could offer.

Dan Seals is the younger brother of Jim Seals of Seals and Crofts fame. Which leads to...

Seals & Crofts - 'Summer Breeze'

Summer Breeze - Seals & Croft #1 Hit(1972)

Before The Isley Brothers recorded a slick cover, 'Summer Breeze' was an irresistible folk pop song by Seals & Crofts.

While mostly a folk song, its summer vibes and gorgeous melody make for a perfect yacht rock number.

Christopher Cross - 'Ride Like the Wind'

Ride Like The Wind Promo Video 1980 Christopher Cross

If Michael McDonald and Kenny Loggins are in charge of the yacht rock ship, then Christopher Cross has to be captain, right? Cabin boy? Something anyway.

The singer was arguably the biggest success story of the relatively short-lived yacht rock era, and this one still sounds incredible.

Eagles - 'I Can't Tell You Why'

The eagles - I can't tell you why (AUDIO VINYL)

Many Eagles tunes could be classed as yacht rock, but we reckon their finest example comes from this track from their The Long Run album in 1979.

Don Henley described the song as "straight Al Green", and that Glenn Frey, an R&B fan, was responsible for the R&B feel of the song. Frey said to co-writer Timothy B Schmit: "You could sing like Smokey Robinson . Let’s not do a Richie Furay, Poco-sounding song. Let’s do an R&B song."

Gerry Rafferty - 'Baker Street'

Gerry Rafferty - Baker Street (Official Video)

Gerry Rafferty probably didn't realise he was creating one of the greatest yacht rock songs of all time when he wrote this, but boy did he.

• The Story of... 'Baker Street'

With the right blend of rock and pop and the use of the iconic saxophone solo, you can't not call this yacht rock at its finest.

Michael McDonald - 'Sweet Freedom'

Michael McDonald - Sweet Freedom (1986)

If you wanted to name the king of yacht rock, you'd have to pick Michael McDonald . He could sing the phone book and it would sound silky smooth.

Possibly his greatest solo tune, it was used in the movie  Running Scared , and its music video featured actors Billy Crystal and Gregory Hines.

Hall & Oates - 'I Can't Go for That (No Can Do)'

Daryl Hall & John Oates - I Can't Go For That (No Can Do) (Official Video)

This duo knew how to make catchy hit after catchy hit. This R&B-tinged pop tune was co-written with Sara Allen (also the influence for their song 'Sara Smile').

• Hall and Oates' 10 best songs, ranked

John Oates has said that the song is actually about the music business. "That song is really about not being pushed around by big labels, managers, and agents and being told what to do, and being true to yourself creatively."

Not only was the song sampled in De La Soul's 'Say No Go' and Simply Red 's 'Home', but Michael Jackson also admitted that he lifted the bass line for 'Billie Jean'!

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I can go for that: five essential yacht rock classics

Katie Puckrick’s new TV doc reappraises the smooth, sad and seedy side of the maligned genre. Here she reveals the best tracks

• Modern Toss on yacht rock

Christopher Cross: Ride Like the Wind (1979)

With its urgent pace and aim to “make it to the border of Mexico”, Cross sums up the exhilaration of escape so essential to yacht. The power of the genre lies in the longing, so it’s most effective when heard in a landlocked location a million miles away from the nearest marina. Since aspiration crosses class, it doesn’t matter whether one’s home turf is the country club or a trailer park: listening to this song has the same effect – it nurses that ache for freedom.

The Doobie Brothers: What a Fool Believes (1979)

A YR hallmark is “upbeat-downbeat”: an approach that folds life’s bittersweet complexities within happy-snappy musical flourishes. A great example of upbeat-downbeat is this Doobie Brothers classic, showcasing the misplaced optimism of a wounded romantic. Singer Michael McDonald is in full fuzzy-throated throttle. Those are his BVs on Ride Like the Wind, and on any number of Steely Dan tracks, including …

Steely Dan: Hey Nineteen (1980)

The frisson of yacht rock derives from its blend of bourgie feelgood bounce crossed with a shiver of thwarted desire. Steely Dan self-deprecatingly called their work “funked-up muzak” but, lyrically, there are none more acidic than these egghead jazzbos with tales of grown-up screw-ups. Thanks to LA’s session musician elite, Hey Nineteen is polished to a sheen, but the narrator’s regretful realisation that he is too old to mack on teenage girls makes for uneasy listening.

Joni Mitchell: The Hissing of Summer Lawns (1975)

Generally, female musicians didn’t focus their talents on the yacht genre: its palette was too limiting for the era’s sophisticated female artists beyond a song or two. In 1975, Mitchell made what’s considered “accidental yacht rock”. This chilly saga of tarnished love concerns a woman trapped in a big house and a loveless marriage. Mitchell made the misery of rich people seem glamorous, creating “dark yacht” in the process.

Toto: Africa (1982)

By the time the 1980s rolled around, black musicians had reclaimed the surging soul and quiet storm of yacht that was rightfully theirs. Artists such as George Benson, Lionel Richie and Raydio raised the bar by turning this “funked-up muzak” into a dance party. Ironically, an anthem called Africa turned out to be helmed by a clump of the whitest dudes going. With its questing lyrics and triumphant chorus, it became a blockbuster smash for the ages, proving that yacht rock is for ever.

I Can Go for That: The Smooth World of Yacht Rock begins Friday 14 June, 9pm, BBC Four

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Playlist of the Week: Top 100 Songs of Yacht Rock

Each week we’re featuring a playlist to get your mind going and help you assemble your favorites. This week we take a deep dive into the soft rock hits of the late ’70s and early ’80s, which have come to be known in some circles as Yacht Rock. The term Yacht Rock generally refers to music in the era where yuppies enjoyed sipping champaign on their yachts — a concept explored in the original web series Yacht Rock, which debuted in 2005 and has developed a cult following. Artists most commonly thought of in the Yacht Rock era include Michael McDonald, Ambrosia, 10cc, Toto, Kenny Loggins, Boz Scaggs, and Christopher Cross. Yacht Rock has become the muse of a great number of tribute bands, and is the current subject of a short-run channel on Sirius XM.

Here is a stab at the Top 100 Songs of Yacht Rock — not necessarily in rank order, with a few more added for honorable mention. We welcome your comments. What songs are ranked too high? What songs are ranked too low? What songs are missing? Make your case. Also, please let us know concepts for playlists you’d like to see — or share a favorite list of your own.

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AMERICA’S FAVORITE YACHT ROCK BAND!™

Winner – 2023 best of las vegas – tribute act – las vegas review journal, 2023 best tribute act – vegas411, 2021 wami – best tribute artist 2019 wami – new artist of the year.

Imagine that it’s 1981 and you’re cruising the Atlantic shores of the Hamptons with your friends. Bikinis are fluorescent, polo collars are popped, and boat shoes are rocked sockless. In the background, your booming sound system is playing the soft-rock sounds of Olivia Newton-John, Toto, Kenny Loggins, The Carpenters, Michael McDonald, Hall & Oates, Christopher Cross, and Air Supply.

The Docksiders are made up of music industry veterans – led by 3-time Grammy™ nominee, Kevin Sucher. Their unique tribute act of your favorite “soft rock” songs of the 70s and 80s – now defined as Yacht Rock – have been entertaining thousands of people for years and the revival of this genre and audiences are only getting bigger.

The Docksiders just completed a 50+ show run at The Rio All-Suite Hotel & Casino in Las Vegas… and now Headline at Notoriety Live on Fremont St.

Show stopping hit song after hit song, costume changes, and production, is only topped by their world-class performance.

Take some time to discover our many videos on our  YouTube Channel  and stop by our  Facebook page  for additional entertaining content!

Keep it SMOOTH friends – Thanks for stopping by our website!

“GET ON THE BOAT!!!! The Docksiders show defines Yacht Rock!! They are the total experience of this genre of music! So yes, get on the boat, have a beer, have some pizza, and party with the the greatest Yacht Rock Band in the country …The Docksiders!” – Tony Orlando – Legend

“in a short amount of time, this dazzling couple has made a meteor-sized impact on las vegas entertainment. they’re everywhere, doing everything, and winning hearts wherever they go. erin and kevin sucher truly are gifts to our city. please support their efforts, along with the amazing colleagues, band members, friends, and collaborators who join them in making our city a brighter and happier place.” – sam novak – vegas411, “i just wanted to drop a note to tell you how much i loved the show last night. i seriously wish i could book this band, like, every other week. you are so fun to listen to, and you sounded fantastic. really on point with vocals and musicianship. thanks so much for coming to omaha, i hope to get you back here at some point down the road” – erika hansen, booking manager – omaha performing arts center.

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A composer of film, TV, and game music, indie soul songs, and funk-fueled electronica, producer/multi-instrumentalist Shawn Lee embarked on his eclectic career in music in the late '80s, completing his first solo LP in 1996, though it never received an official release. In the 2000s, he found homes for his solo material on labels such as Ubiquity and Wall of Sound and formed Shawn Lee's Ping Pong Orchestra. He also released albums with Clutchy Hopkins, and began taking work composing scores, including for the video game Bully (2006). The Ping Pong Orchestra continued into the 2010s as Lee formed psychedelic soul group the Electric Peanut Butter Company with Adrian Quesada and the indie electronic duo AM & Shawn Lee. Meanwhile, highlights of his periodic score work included the documentaries Elevate (2011) and Let It Soul (2018).

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Ticket to Shangri-La by Young Gun Silver Fox

supported by 17 fans who also own “Dark Yacht”

I discovered this album when catching up to the always accurate online Mixcloud radio show: The Jazz Pit Specifically, episode - 'Yacht Rock Pt. 2' which has "Winners" by Young Gun Sliver Fox open the show. It immediately got my attention for it's quality in terms of pacing in that as a single it's not to fast but not to slow just the right riddim. On, listening to that track and the host of The Jazz Pit declaring that the entire album is impressive lead me to purchase it. Your Mother

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supported by 11 fans who also own “Dark Yacht”

The most original ideation of Jazz, every track is a different fusion of Jazz, funk, electro, and more. Very smooth and loungey. Sycamore Tree

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The 5 best nyc dinner cruises for food & views.

These dinner cruises provide some of the best views of Manhattan.

The Best NYC Dinner Cruises

Courtesy of La Barca Cantina

When you're strolling the streets of Manhattan, it can be difficult to grasp the magnitude of the city, with its skyscrapers and densely packed landmarks. The solution? A boat ride. A breezy sail in New York Harbor can feature everything from an elegant dinner to a live jazz band to tacos and tequila. Read on to discover the top-rated New York City dinner cruise options as determined by travel expert opinion and recent reviews.

City Cruises New York Bateaux Premier Dinner Cruise

Price: From $144 Duration: 3 hours Standout perk: This all-glass boat delivers panoramic skyline views.

Climbing aboard the Bateaux feels like stepping into a greenhouse, with its glass-enclosed structure and water views in every direction. There are no bad seats on this boat, but as an upgrade you can reserve a window table for the best views of the Hudson River, the East River and the New York Harbor. This cruise is a match for anyone seeking elegance: The tables are covered in crisp white cloths, wine and cocktails are served in sparkling glasses, and a three-course a la carte dinner is served at a relaxed pace (no buffet here).

The Bateaux cruise is an experience to get dressed up for, where the dress code is semi-formal and dinner is accompanied by live music. The sunset can provide the perfect backdrop for pictures, and don't forget to snap a shot of the Statue of Liberty . Children younger than 6 are not permitted on this cruise, so expect a polished, for-adults atmosphere complete with creative cocktails and dancing under the stars. The Bateaux has rightfully earned a reputation for its fresh food; this three-course, plated menu includes several tempting a la carte options from a ravioli starter with crispy pancetta to osso bucco with cauliflower polenta.

Check prices & availability on:

City Cruises New York Signature Dinner Cruise

Price: From $109 Duration: 2.5 hours Standout perk: A live DJ gives this dinner cruise an extra dose of atmosphere.

Looking for a casual night of dining and dancing with the addition of a skyline backdrop? This dinner cruise offers just that. Set sail from Chelsea Piers in a climate-controlled boat along the Hudson and East rivers, admiring New York City landmarks like the Empire State Building . For dinner, indulge in a chef-prepared buffet with a wide range of options from Greek salad to oven-roasted salmon with miso to Caribbean jerk braised pork. If you're bringing a sweet tooth on board, be sure to check out the ample dessert station.

After snapping some pictures on the open-air deck, return to the cabin for cocktails from the cash bar, interactive games and upbeat music from the onboard DJ.

Those traveling with young kids will be pleased to know that infants younger than 3 cruise free – so feel free to bring your little ones along to enjoy the experience with you.

La Barca Cantina

Price: Varies Duration: 2 hours Standout perk: You'll find an extensive tequila and mezcal list on board to accompany the Mexican fare.

One criticism of New York dinner cruises is that they don't offer good value for money, but the "taco boat" challenges that critique with ceviche, tacos, churros, cocktails and skyline views for an affordable price. Climb aboard a yacht at Pier 81 to experience a youthful, modern interpretation of a dinner cruise – think: low lighting, couches for lounging and three bars, complete with Latin pop, salsa and dance music playing in the background. Raise a glass while the yacht sails south on the Hudson River to check out world-famous Manhattan skyline views.

La Barca Cantina also offers a bottomless brunch cruise with a DJ, as well as special events.

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Classic Harbor Line NYC Evening Jazz Cruise

Courtesy of Classic Harbor Line

Price: From $108 Duration: 1.5 hours Standout perk: A jazz trio typically featuring a sax, keyboard and drums plays live on board.

Listen to jazz standards aboard a 1920s-style yacht with this fun sightseeing cruise departing from Pier 62 in Chelsea Piers. Choose between kicking back in the climate-controlled cabin or on the open-air deck throughout this evening cruise, which includes views of Manhattan landmarks such as the Statue of Liberty and Ellis Island. Live music is played outside on the deck or inside the salon, depending on the season (and the boat, Manhattan or Manhattan II).

While this cruise doesn't offer dinner, one complimentary alcoholic beverage is included, and a cash bar offers additional drinks and snacks. Listen to music by Duke Ellington, George Gershwin and more as you sail past the twinkling Manhattan skyline. Those traveling in a group should keep in mind: Tickets are slightly discounted for groups of 4 to 16.

Circle Line New York City Harbor Lights Cruise

Courtesy of Circle Line

Price: From $54 Duration: 2 hours Standout perk: This no-fuss, excellent-value cruise option has drinks and snacks available for purchase on board.

When you're craving panoramic views rather than a three-course meal, choose the Circle Line's Harbor Lights cruise departing from Pier 83. This sightseeing sailing delivers an up-close experience of the Manhattan skyline lights coming to life, while cruising past landmarks including the Brooklyn Bridge and the Chrysler Building . A live guide provides narration and historical context for what you're seeing. As the sun sets behind New Jersey, watch the glow of the sinking sun reflect in the windows of skyscrapers.

Food from the onboard cafe – like salads, sandwiches and snacks – as well as beer, wine and cocktails at the bar are available for purchase. This is an ideal situation for groups with varying levels of hunger and thirst. Sit alfresco in the breeze or indoors in the climate-controlled cabin – it's up to you.

Non-English-speaking guests can download the Circle Line app for narration available in several languages; just be sure to bring your own headset.

Why Trust U.S. News Travel

Jessica Colley Clarke is a New York-based freelance writer. She loves to take visiting family and friends out on the water in the New York Harbor for a fresh perspective on the Manhattan skyline and beyond.

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The Avett Brothers Musical ‘Swept Away’ Heads to Broadway This Fall

By Kalia Richardson

Kalia Richardson

Folk-rock band the Avett Brothers have announced that their musical, Swept Away , will be headed to Broadway this fall. The musical, set in 1888, follows four sailers, including two brothers, who are struck by a violent storm that tanks their ship near the coast by New Bedford, Massachusetts. It centers on “a young man in search of adventure, his big brother who has sworn to protect him, a captain at the end of a long career at sea, and a worldly first mate who has fallen from grace,” the musical questions if the survivors have what it takes to stay alive. The Michael Mayer-directed production draws inspiration from an 1884 shipwreck of British yacht Mignonette , where its surviving crew — deprived of food and water — resorted to cannibalism.

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Swept Away was previously performed at Berkeley Repertory Theater in California in 2022 and at Arena Stage in Washington last winter. Swept Away will be held at a Shubert theatre this fall, though the run dates and venue have not yet been announced. The Avett Brothers released their new album, The Avett Brothers , Friday.

The journey comes to Broadway this Fall. Be the first to know when tickets go on sale at the link in bio. @theavettbros #AvettSailor pic.twitter.com/hcGll1aJHp — Swept Away: A New Musical Tale (@SweptAwayFans) May 20, 2024

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When Is Vince Staples’ New Album ‘Dark Times’ On Spotify & Apple Music?

Vince Staples’ new album Dark Times is on the way, just a week after the Long Beach rapper announced it. So, when will it be available to stream on DSPs like Apple Music and Spotify?

With a release date of May 24, the album should go live on streaming services at midnight, Eastern, 9 PM, Pacific.

In Vince’s album announcement, he explained its inspirations. “Eleven years ago, a young, uncertain version of myself was given an opportunity with Def Jam Recordings,” he wrote. “I released my first project under their banner, Shyne Coldchain Vol 2 , a year later. I was unsure of what to expect from the world of music, but deeply aware of what I needed: a change in my surroundings and a clear understanding of self. Ten years and seven projects later, I’ve found that clarity. Now, I share with you my final Def Jam release, Dark Times .”

Dark Times is part of a busy year for Vince. In February, he launched his Netflix series, The Vince Staples Show , to extremely positive feedback from both fans and critics.

He’s also billed on multiple festival lineups this summer, including Jack Harlow’s inaugural Gazebo Festival and Helsinki, Finland’s Flow Festival .

You can find more information about Vince’s upcoming album, including its tracklist, below.

Vince Staples’ Dark Times Tracklist

1. “Close Your Eyes And Swing” 2. “Black & Blue” 3. “Government Cheese” 4. “Children’s Song” 5. “Shame On The Devil” 6. “Étouffée” 7. “Liars” 8. “Justin” 9. “Radio” 10. “Nothing Matters” 11. “Little Homies” 12. “Freeman” 13. “Why Won’t The Sun Come Out?”

Music | Review: Pearl Jam does something it hadn’t…

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Music | Review: Pearl Jam does something it hadn’t done in over 25 years

Pearl jam plays sacramento for first time since 1998.

Yet, that certainly hasn’t translated to many appearances in California’s capital city over the decades.

“In 30-plus years, we’ve only said these words like three times: ‘Good evening, Sacramento,’” vocalist Eddie Vedder remarked near the start of the band’s concert on Monday night at the Golden 1 Center. “I didn’t know that it’s been that rare.”

RELATED:  Eddie Vedder defends Steve Buscemi during Pearl Jam concert in Sacramento

Not only has a Pearl Jam show in Sacramento been rare, it’s also been something that hasn’t happened in a really, really long time. Indeed, Bill Clinton was President the last time the group played inside the city limits, in 1998 at the old Arco Arena. (Although Pearl Jam did play in the general area in 2000 — at the what’s now called the Toyota Amphitheatre in Marysville.)

“Thank you for your patience,” Vedder said to the full house of fans. “We appreciate you and your faith.”

The band then rewarded the audience for its patience and faith — having waited more than a quarter of a century since the last Pearl Jam gig in Sacramento — by delivering a spellbinding 2½ hour show that married classic tracks with material from its very well-received new album, “Dark Matter.”

In other words, those who plan to catch Pearl Jam when it headlines the BottleRock Napa Valley festival over Memorial Day Weekend should be very excited indeed.

The band kicked off Monday’s show in rather subdued fashion, appearing in silhouette on a mostly dark stage and softly rumbling through “Pendulum,” from 2013’s “Lightning Bolt.” From there, the group — which consists of Vedder, guitarists Stone Gossard and Mike McCready, bassist Jeff Ament and drummer Matt Cameron — creeped right over to the 1996 “No Code” cut “I’m Open.”

Both of those numbers were being played for the first time on this Dark Matters World Tour, nicely illustrating just how greatly the Seattle band changes up the setlist from show to show. Sure, the tour is only a little more than a week old — having kicked off in Vancouver on May 4 — but it’s still mighty impressive to note that eight of the 24 selections performed on Monday were tour debuts.

The absolute highlight of the first portion of the night — and, arguably, the entire show — came with the third number, “Elderly Woman Behind the Counter in a Small Town,” which proved to be one of those transcendent moments that can define a concert in your memory for years to come. The 1993 “Vs.” song is certainly on the very short list of Pearl Jam’s best, as well as one of the finest rock songs released in all of the ’90s, yet the version played on Monday seemed to reach an even higher level than usual, propelled by a band and a city who were coming together for the first time in ages.

“I just want to scream hello!” Vedder sang as if his life depended on it, as the words were pushed ever higher by the thousands of passionate accompanying vocalists in the crowd. “My God it’s been so long, never dreamed you’d return. But now here you are and here I am.”

It was an absolute love fest between the city and the band, led by a gushing Vedder, who pointed out that the group knew several people in the crowd.

“We’ve got some friends here,” he said. “And I already feel that that includes all of you.”

Yet, it’s important to note that Vedder and Sacramento haven’t always been besties. Indeed, he once drew headlines for blasting the city during a 2013 show in Oklahoma City, where Vedder’s beloved Seattle Supersonics relocated and began playing basketball as the Thunder in 2008. Instead of taking his anger out on the Oklahoma folks, however, the hoops-loving singer swung at the people of Sacramento, who had successfully blocked their NBA franchise — the Kings — from possibly moving to Seattle. It was all incredibly petty and childish — and very 21st century sports fan — as Vedder decided to make it personal.

“When you think about it, and if you’ve been to Sacramento, they’re already kind of (expletive),” Vedder was quoted as saying .

But those bad vibes are long gone, apparently, as Vedder and company continued to rock the Golden 1 Center — which, ironically, is operated by those same Sacramento Kings — with such new album offerings as “React, Respond,” “Running” and “Scared of Fear.”

The group used the opportunity to showcase eight of the 11 songs from “Dark Matter,” and, without exception, this new material held up very well among the classics.

McCready, as per usual, was worth the price of admission on his own merit, burning through some of the hottest guitar leads one will find in all of rock. And just when you think he can’t possibly get more amazing on the frets, he hoists the guitar behind his head and blindly powers through the amazing lead on “Even Flow,” one of a half-dozen numbers played from the band’s game-changing debut, 1991’s “Ten.”

The group finished up the 90-minute-plus main set with the anthem “Better Man” and then returned to play almost another hour’s worth of music during an encore that really could have passed for a second set.

McCready again was at the forefront, powering through epic leads on “Black” and “Alive.” And Vedder seemed to be having the time of his life as he led the crowd in one sing-along after another.

“Sacramento!” Vedder shouted out to the packed arena. “Thank you very much for bringing it tonight.”

1. “Pendulum”2. “I’m Open”3. “Elderly Woman Behind the Counter in a Small Town”4. “Faithfull”5. “Scared of Fear”6. “React, Respond”7. “Wreckage”8. “Dark Matter”9. “Garden”10. “Lukin”11. “Corduroy”12. “Dance of the Clairvoyants”13. “Even Flow”14. “Upper Hand”15. “Waiting for Stevie”16. “Running”17. “Light Years”18. “Better Man”Encore:19. “Picture in a Frame”20. “Jeremy”21. “Black”22. “Do the Evolution”23. “Alive”24. “Porch”25. “Setting Sun”

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Music + concerts, music + concerts | pearl jam brings its dark matter tour to kia forum for a storied night of music, in the first of two nights at the inglewood arena, the seattle band proves once again there is no other group like it..

Now, name another band that can do that, and, well, you can’t because there is no other band like Pearl Jam , as Eddie Vedder , Mike McCready, Stone Gossard, Jeff Ament, and Matt Cameron showed once more on Tuesday, the first of two shows at the Kia Forum in Inglewood.

So you go to the show with a faint idea of what you might hear – “Dark Matter,” the band’s 12th studio album released last month, gets a large part of the show – but beyond that, you go with Pearl Jam’s flow.

Mike McCready of Pearl Jam performs on the first of two nights at the Forum in Inglewood on Tuesday, May 21, 2024. (Photo by Drew A. Kelley, Contributing Photographer)

Eddie Vedder of Pearl Jam performs on the first of two nights at the Forum in Inglewood on Tuesday, May 21, 2024. (Photo by Drew A. Kelley, Contributing Photographer)

Pearl Jam performs on the first of two nights at the Forum in Inglewood on Tuesday, May 21, 2024. (Photo by Drew A. Kelley, Contributing Photographer)

Deep Sea Diver performs at the Forum in Inglewood on Tuesday, May 21, 2024. (Photo by Drew A. Kelley, Contributing Photographer)

Maybe they don’t play your favorite song – I didn’t get to hear “Corduroy” on Tuesday, but so what, I’ll live. In an age where rock and roll is often far more structured than the glorious looseness of its early days, the unknown, unexpected promise of a Pearl Jam show is a thrill in itself.

The band entered in darkness and remained in shadows, delivering almost a prologue of three quieter, older songs, “Ocean” “Come Back,” and “Off He Goes,” in a set that would get a whole lot louder as it ultimately spanned 25 songs over two-and-a-half hours.

“Why Go,” from Pearl Jam’s debut album “10,” paired nicely with the new song “Scared of Fear,” supercharged by Vedder’s passionate vocals and McCready’s frantic lead guitar.

Vedder, whose love of sports is well-known, wore a vintage-style Chicago Bears jersey, No. 34 for the legendary Walter Payton. For him, returning to the Fabulous Forum stirred memories of basketball and rock and roll alike.

“The first time I was here, we didn’t have a lot of dough, and somehow my dad came home from work and said we’re going to the Lakers game,” Vedder told the crowd at the finish of “Wreckage,” a terrific song from the new record. “I was about nine years old and I used to listen to Chick Hearn on the radio. And I believe our seats were about three rows in from the top, right over there.”

He remembered watching Laker legends such as Gail Goodrich and Lucius Allen, as well as the visiting Golden State Warriors’ Rick Barry and Clifford Ray. “But really, the only one I got to see close – the radio booth was up there, and I got to see the back of Chick Hearn’s polyester plaid jacket all night.”

Thinking about that night eventually led to this: Before the show started, Vedder asked one of the crew to find a father and son up in the rafters where he and his dad once sat and bring them down to watch the show from the pit.

That was just one of the great anecdotes he offered between songs – we really could have reviewed his stories if we wanted. The one about seeing, or trying to see, Pink Floyd perform “The Wall” at the Forum in 1981, was wildly funny. But like Eddie, I digress …

Highlights from the middle of the show included “Daughter,” off the second album “Vs,” which appropriately segued into a bit of Pink Floyd’s “Another Brick in the Wall (Part 2).” The new “Waiting For Stevie” is another strong track from “Dark Matter.”

And “Even Flow” brought everyone to their feet, singing along with Vedder and the band as the fan favorite from “10” rocked as hard as anything the band played all night.

Vedder continued to talk with the crowd, dedicating “Faithfull” to a longtime fan Michelle Castrellon, who had recently died, and spotlighting fans with signs, including the fan who brought his 83-year-old father into the pit with him, or the young woman whose sign announced this was her fifth Pearl Jam show, though the first four were “in the womb.”

After the main set wrapped up with “Rearviewmirror,” with Andrew Watt, their producer on “Dark Matter” joining on guitar, Vedder opened the encore with a solo acoustic version of “Just Breathe.”

“Something Special” started out dedicated to Vedder’s daughter Olivia and her mother – his wife Jill – before he got carried away and also dedicated it to “anybody else’s daughter who is named Olivia and anybody’s daughter who is named anything.”

It’s a sweet song, clearly written by a father for his daughter, that urges the child to be strong in life: “Do it yourself, you’re not the type to need a man,” Vedder sings at one point. “But if you find one, he better know you’re damn special.”

At a concert a few days earlier in Las Vegas, Vedder had delivered a rant about Kansas City Chiefs kicker Harrison Butker’s comments about women needing to support their men above all else. Before “Something Special,” he cautiously went there again.

“I don’t want to get myself in trouble and say another word I’ll regret,” he said as the crowd laughed. “Maybe I’ll say this: I think in the future is there’s gonna be a woman in the NFL. And the interesting thing is she’s gonna be the kicker.”

From there, the show raced to its finish. “Leash” rocked hard, demonstrating the punk rock roots of the band. “Alive,” which is perhaps Pearl Jam’s signature song, was mighty and magnificent. A cover of the Who’s “Baba O’Riley” had the crowd all singing its “Teenage wasteland!” chorus and was dedicated to the Who’s Pete Townshend, who turned 79 on Sunday.

Then, with “Setting Sun,” the night wound down to its finish. It’s a song about a lover pleading for more time with his beloved, but it speaks well to the bond between a band like Pearl Jam and their dedicated fans.

“May our days be long until kingdom come / We can become one last setting sun,” Vedder sang in its final verses. “Let us not fade / let us not fade.”

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Vince Staples Drops ‘Dark Times’ Album: Stream It Now

The set arrives two years after Ramona Park Broke My Heart , which reached the top 10 of Top R&B/Hip-Hop Albums.

By Heran Mamo

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Vince Staples released his Dark Times album on Thursday night (May 23) via Blacksmith Recordings and Def Jam Recordings.

Dark Times is Staples’ seventh and final project on Def Jam. “Eleven years ago, a young, uncertain version of myself was given an opportunity with Def Jam Recordings. I released my first project under their banner, Shyne Coldchain Vol 2 , a year later. I was unsure of what to expect from the world of music but deeply aware of what I needed: a change in my surroundings and a clear understanding of self,” he wrote via Instagram on May 19. “Ten years and seven projects later, I’ve found that clarity. Now, I share with you my final Def Jam release, Dark Times . 5.24.24.”

Trending on Billboard

See the Dark Times tracklist below.

• “Close Your Eyes and Swing”
• “Black & Blue”
• “Government Cheese”
• “Children’s Song”
• “Shame On the Devil”
• “Étouffée”
• “Liars”
• “Justin”
• “Radio”
• “Nothing Matters” 
• “Little Homies”
• “Freeman”
• “Why Won’t the Sun Come Out?”

Vince Staples Prepping ‘Dark Times’ Album, Drops Contemplative ‘Shame on the…

Dark Times arrives two years after Staples released his fifth studio album, Ramona Park Broke My Heart , which reached No. 21 on the Billboard 200 and No. 10 on Top R&B/Hip-Hop Albums . Earlier this year, the Long Beach rapper released his own five-episode Netflix series titled The Vince Staples Show .

Listen to Dark Times below.

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