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Our selection of project boats require a little bit of work, but could potentially be a show winner with a restoration. You can utilize Absolute Classics to help you restore these classic boats. to their original, pristine condition. Our restoration shop works on all classic boats, including Chris-Craft, Hacker-Craft, Stan-Craft, Century, Shepherd, Garwood, Grand-Craft, or Riva. 

1956 16' CENTURY RESORTER

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Are these the 8 most beautiful classic sailing yachts of all time?

Moonbeam of fife iii, 1903.

The 30 metre, gaff cutter Moonbeam of Fife III epitomises beautiful classic yachts at their finest. Launched in 1903, Moonbeam of Fife is still going strong on the classic yacht regatta circuit despite being more than a hundred years old. The William Fife-designed yacht is constructed in wood with an oak hull and superstructure, while her interior joinery is well-kept mahogany. The historical yacht Moonbeam of Fife III is currently for sale .

Tuiga, 1909

Built by the renowned William Fife shipyard in Fairlie on the Clyde estuary in Scotland, Tuiga was commissioned by the Duke of Medinaceli, a close friend of the King of Spain, Alfonso XIII, and has had 10 owners in 106 years. HSH Prince Albert II decided to buy her in 1995.  Tuiga  has been participating in classic yacht regattas ever since and is now the flagship of the Yacht Club de Monaco, crewed by YCM members.

Mariette, 1915

The classic 42 metre twin-masted schooner _ Mariette of 1915  _was built by Herreshoff in the United States 100 years ago. Age has not withered her, but  Mariette of 1915  has undergone a few refits in the Pendennis yard at Falmouth in recent years: in 2010 and again in 2012 in preparation for the Pendennis Cup, in which she took first prize in the St Petroc Traditional Class as well as being crowned overall winner. In 2014 she returned to Falmouth once more for minor works.

Creole, 1927

Now owned by the Gucci family, this beautiful wooden schooner has had a colourful history. Commissioned by wealthy American Alan Cochran and launched in 1927,  Creole  has had a number of different owners and also been called Vira. When she was known as  Magic Circle , she was transformed into a minesweeper during the Second World War, having previously competed in a number of regattas and attended previous America’s Cup events. In the 1970s she was used by the Danish government for sailing training in the rehabilitation of drug addicts before being bought by the Gucci family in 1983.

Endeavour, 1934

Arguably the world’s most famous J Class,  Endeavour  was the British challenger in the 1934 America’s Cup , but was beaten by the Harold Vanderbilt-owned Rainbow . Endeavour was commissioned by Sir T.O.M. Sopwith, who was keen to ensure that this yacht was the most advanced design possible. With his experience designing aircraft, Sopwith applied aviation technology to Endeavour ’s rig and winches and spared nothing to make her the finest vessel of her day.

She swept through the British racing fleet and into the hearts of yachtsmen around the world, winning many races in her first season. Though she did not win the America's Cup she came closer to doing so than any other challenger.

Since 1934, she has often led a perilous existence, even being sold to a scrap merchant in 1947 only to be saved by another buyer hours before her demolition was due to begin. In 1984, American yachtswoman Elizabeth Meyer bought Endeavour and she was transformed and rebuilt by Royal Huisman. Endeavour sailed again on June 22, 1989, for the first time in 52 years. J Class yacht  Endeavour  is now for sale .

Elena, 1910

In 1910, Morton Plant commissioned 55 metre  Elena to be designed by American naval architect Nathanael Herreshoff, the so-called “Wizard of Bristol”, who made his name designing sailing yachts for America’s elite. Plant's brief was to the point: he wanted a schooner “that can win”.

Herreshoff gave Elena a slightly deeper keel than preceding designs of that time, lowering her centre of ballast, which improved her windward ability. Elena won most of her early races against the cream of the American schooner fleet and in 1928 came her crowning glory, victory in the Transatlantic Race. In 2009, she was rebuilt using the original plans for the first Elena.

Black Swan, 1899

Originally designed by Charles Nicholson and built in 1899 at Camper and Nicholson in Gosport, England, Black Swan started life as Brynhild with a yawl rig. She won a number of races at the beginning of the 20th century, including the King’s Cup. Over the years, she has undergone several changes and different rig configurations, and at one stage she was renamed Changrilla . She was rechristened Black Swan in the 1960s and, today, after an extensive restoration project at the Beconcini yard in La Spezia, Italy, she is now carrying a gaff-rig, designed by the Faggioni Yacht Design Studio and built by Harry Spencer.

Mariquita, 1911

Another beautiful classic yacht from Fife, Mariquita was launched in 1911. The 38.16 metre sailing yacht was designed and built for the industrialist Arthur Stothert. As part of the 19 metre Big Class racing that re-emerged in 1911, this gaff-rigged cutter is said to have inspired the J Class yachts that came after her.

She raced competitively against her brethren from 1911-1913, but by the 1950s, Mariquita was the last in the 19 metre class remaining. She was restored in 1991 and received a further refit in 2004. A star on the classic yacht racing scene, Mariquita is now for sale .

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Home » News » SWD News & Stories » Boat Renovations and Restorations 101

Boat Renovations and Restorations 101

Posted on March 8, 2022 and filed under SWD News & Stories

There’s an intangible, but visceral feeling we get when we hear the rumble of the engine and smell the exhaust of a Porsche 911 2.7 Carrera RS or view the way the bow of 1962 Riva Aquarama cuts through the water. It’s almost hard to put into words other than to say it’s magical.  And despite the best efforts of the modern design world, there’s just something about the classics that can’t be replicated or replaced. Some things simply can’t be improved upon.

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This mighty 1937 Purdy commuter yacht, Aphrodite , was completely restored at Brooklin Boat Yard with design support from Stephens Waring. Her rehabilitation shows how traditional design and technological innovation each have their place on the water. With redesigned propulsion and steering systems, new tanks and plumbing systems, and completely revamped interior, she offers a thrilling glimpse at what yachting was like in the 1930s—with all the comforts of today. Photo credit: Benjamin Mendlowitz

And in the fast-fashion world we live in, where it seems like half of what we buy has been replaced with a newer version before we leave the store, it gives us a good feeling to keep something old going, or better yet, to bring something from the past back to life.

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Stephens Waring worked with the owner of this classic 45’ Huckins, called Northern Spy ,  to rebuild the hull structure to accept the most modern of power plants: twin Volvo IPS drives. In the classic Huckins QuadroConic hull form, the IPS performs marvelously, boosting speed, cutting fuel consumption, and increasing maneuverability. Photo credit: Alison Langley

But for every unicorn rebuild project, there are plenty of renovation and restoration disasters along the way. Conversely, there is a mountain of smaller, less illustrious restorations and renovations, implemented successfully, which didn’t require the net worth of a Saudi Sheik to accomplish, but still extended the life and enjoyment of an old and beloved boat.

Big or small, iconic or sentimental, the key to any successful restoration project is figuring out how to identify the right fixer-upper and arming oneself with the knowledge to enter into a rebuild project with a clear understanding of the challenges, costs, and risks along the way.

Renovations vs. Restorations

The terms renovation and restoration are often used interchangeably. And while they may be close cousins, the goal and outcomes of a renovation or restoration project can be quite different in terms of objective, scope, and cost.

What is Restoration?

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The bridge of Aphrodite was restored to match the original materials and controls of the vessel. Materials including varnished mahogany were carefully matched and rebuilt based on the original design specifications. Right image photo credit: Benjamin Mendlowitz

The primary objective of a restoration project is to bring a boat back to its original design and construction as closely as possible.  Good restoration experts put significant time into researching the origins and background of the original build including understanding the history of the designer, construction techniques of the time, design philosophy, parts suppliers, and material sources.

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In 2014, French & Webb and Kurt Hasselbalch, curator of the MIT (Massachusetts Institute of Technology) Hart Nautical Collections, began restoration of Marilee originally built in 1926. In early winter 2014 they began with a 3D scan of the existing hull. This, combined with a CAD drawing created from the original Herreshoff plans, enabled the team to accurately examine Marilee’s current shape and compare it with the design from 1926. Photo credit: Alison Langley

Restoration experts often embark on a difficult treasure hunt as they scour the world for rare and comparable historical parts. This process can almost be as time consuming as the construction work itself.

During the restoration process, original materials are matched, and methods of construction are reused.  Modifications from the original design are generally limited to changes necessary to bring a project up to modern codes and standards including electrical and life-safety. Stepping aboard a fully restored vessel should be like taking a step back in time.

What is Renovation?

Renovation is a much broader term.  Generally speaking, it’s the process of renewing a boat or structure by fixing what’s present and adding something new or modern. This includes the integration of new materials, technologies, and even major structural design changes. We often think of a renovation as being built on the “spirit” of the original design while leaving the door open to new opportunities for creativity and innovation.

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The owner of Marilee (built in 1926) had the bold vision to create an interior that reflected the yacht’s century-long provenance while creating an open space below. However, he wanted to get away from the dark “cigar room” interiors typical of so many classic yachts. The team worked with Paul Waring of Stephens Waring Yacht Design, to create a traditional and properly constructed interior with an updated layout for relaxed, modern day use. Photo credit: Alison Langley

Renovation can include adding new engines, propeller systems, updated electronics, efficient keels and hulls, and electrical systems.  It can also include a refresh of the interior design elements and decor.

In some cases, renovation can be cheaper than restoration, especially for very old or historic boats where access to original parts and materials are rare or don’t exist at all.

Often renovations are completed in conjunction with restoration.   In architecture we often see this with an old home or building where great lengths are taken to restore the exterior facade back to the original design, while inside, cutting-edge kitchens and bathrooms are installed. The effect is a blend of classic elegance with creature comfort and modern living.

What to Know Before Embarking on a Restoration or Renovation Project

There are no two ways about it, a major restoration or renovation can be costly and time consuming. They can also be extremely rewarding. The most successful projects are born from a sentimental and emotional objective rather than a purely economic consideration (although there are times when the economics pan out as well).  Key to success is starting a restoration or renovation project with the right foundation. This may includes several of the following principles:

  Starting with the Right Boat

Not all boats make good restoration projects.  In fact, most don’t. The ones that do have that special something that may be referred to as being a “classic”.  A good restoration candidate should have a historical or emotional value, or simply, a unique “wow” factor that makes it worthy of a second life.

Building on Good Bones

classic yacht project

Zingara was originally designed by Bill Peterson, conceived to participate in the 1990 BOC-British Oxygen Company Challenge, a solo event ‘round-the-world yacht race. By the time we met her, the yacht was a long way from finished. Our renovation made the best use of her potential as a solid sailing yacht: the thoughtful design of the sailing platform, deck arrangement, and cockpit were to be functional in blue water; and down below her interior was to be spacious and comfortable, safe and relatively simple.

When possible, find a boat in which the problems are more cosmetic in nature than major costly systems repairs or replacements. At some point deterioration of major structures such as stringers and bulkheads may make restoration impractical. You should consider consulting with a professional designer like Stephens Waring to get an accurate assessment of major structural components and systems to fully understand the scope and resources necessary for a restoration or renovation.

Set a Realistic Budget and Timeline to Complete the Job

It is said that God created the world in seven days. That’s probably because he didn’t have to clean up anyone’s mess first. Realize that restoration and renovations are often as time and resource consuming as the original build itself. It takes time to undo the bad and rebuild with the good.  Sweat equity can only carry your project so far and there are many hard costs and professional skillsets you’ll need to complete a big job. Working with a professional can help to set a realistic budget and define clear expectations and goals.

Size Does Matter

It’s easy to want to bite off more than you can chew.  However, as a boat gets bigger the complexities of the systems become exponentially larger.  The difference between a 30’ and 40’ boat can be immense.  Experts generally recommend that no one attempt to restore a boat bigger than 35’ without professional support.

Where to Make Your Money Go the Distance

When done correctly, there are a number of benefits to upgrading and renovating rather than buying new. The key is to identify where to get the most bang for the buck.  Finding a project where cosmetic repairs are the main problem is the best place to get a strong ROI.  Renovations such as replacing upholstery, fixtures, refinishing surfaces, and painting can do wonders to make an old vessel feel new and increase the economic value.

Where to Start

Whether looking to renovate a boat you currently own or looking to purchase a used fixer-upper, we strongly suggest starting with a professional evaluation.   Engaging an expert to inspect the hard to reach structures and systems can save a lot of money in the long run.  A renovation expert like Stephens Waring can also help determine a solid triage strategy for what to discard, repair, and replace.  For bigger projects, having a design expert create a detailed design and engineering plan, complete with 3D renderings, can provide a way for owners to better conceptualize the scope, cost, and outcome of the renovation and finished product.

Further Reading:

The Renovation of Marilee

The Renovation of Zingara

site by: slickfish studios

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  • Classic Yacht Restoration

Restoring a classic yacht usually starts on the drawing table to get the details just right and incorporate modern updates and modifications seamlessly. The designer is called upon to serve as historian, archivist, artist, and engineer. Each successful classic yacht restoration requires research, documentation, and seamless transition of new design elements into the original design. It must all be undertaken with a degree of deference and respect for the integrity of the vessel and original intent of the designer.

Each vessel responds to the ravages of time and environment in different ways. Here at Rockport Marine Yacht Design a restoration begins with 3D laser measurement of the vessel in order to quantify with precision the degree to which the vessel differs from her original intended condition. Our restoration clients benefit from designers and builders working together to establish a restoration procedure customized to the vessel.

Rockport Marine Yacht Design maintains close working relationships with the curators of the world’s richest yacht design collections. Superlative restoration demands curiosity, diligence, and willingness to pursue the last degree of detail. Each of our restorations reflects a close collaboration with those most familiar with the designer’s work.

It is a rare project that is restored to truly original condition. Almost invariably a restoration incorporates reconfigured accommodations, modern electrical, and mechanical systems, and efforts to improve vessel performance. In each Rockport Marine Yacht Design is called upon to design and incorporate these variations so as to enhance the overall work.

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Classic Yacht Restoration

A classic yacht restoration is the ultimate project for many yacht owners, however the ever-shrinking classic yacht fleet has meant that the opportunity to carry out such a project is becoming increasingly rare.  Classic yacht restoration has formed the mainstay of our firm’s business for the past twenty years, G.L. Watson & Co. have the expertise to source and salvage classic yachts and also design and project manage their refit. In the past ten years alone we have won Boat International’s World Superyacht Award for Best Refit twice and our portfolio of classic yacht restoration projects includes, amongst others, Malahne, Nahlin and Blue Bird .

Below is a small selection of the collection of yachts we have identified as candidates for classic yacht restoration projects.

Sourcing and Salvaging a Classic Yacht

With our unparalleled knowledge of classic yacht restoration and the fate of yachts from the classic era we can assist our clients in sourcing a yacht. Using our archives, research skills and contacts, we have identified numerous yachts which are ripe for restoration.  When selecting a yacht for a classic yacht restoration we look not just for historic pedigree, but also the suitability of the hull to accommodate modern requirements and comforts.  We have particular expertise in the purchase and safe recuperation of classic yachts and have engaged in the complex salvage of yachts that are either abandoned or have ended up converted into houseboats, ferries or even floating restaurants.

Classic Yacht Restoration Design

Recent classic yacht restoration projects carried out by the firm such as Nahlin, Blue Bird and Malahne demonstrate how G.L. Watson & Co. can re-design a classic yacht in order to combine modern superyacht amenities with an authentic period style. Our multidisciplinary team uses archival sources, as well as the vessel itself, to recreate the legacy design and to take this forward to a conceptual design for the classic yacht restoration. We have an in-depth knowledge the house styles not only of G.L. Watson & Co., but also of the other great designers of the classic era such as William Fife, Alfred Mylne, Camper & Nicholson and Nathaniel Herreshoff. This, combined with cutting-edge knowledge of modern design requirements, means that we can create designs which do not compromise authenticity or modern requirements and aesthetics.

Project Management and Owner’s Representation

Classic yacht restoration projects are complex and require substantial management if they are to succeed. G.L. Watson & Co. can manage these projects by providing a comprehensive project management service. This service includes contract management and specification writing, sourcing shipyards and running a tender-process, and managing sub-contractors and suppliers. We can also act as the Owner’s Representative in the shipyard in order to ensure maximum quality and contract value during the refit process.

G.L. Watson & Co. Ltd. 20-23 Woodside Place, Glasgow G3 7QL, Scotland

Tel: +44 (141) 501 0480

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Second hand boats: buying a classic yacht

Nigel Sharp

Nigel Sharp on everything you need to consider when it comes to buying a classic second hand boat built from wood

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Over the last three decades there has been a spectacular classic boat revival, resulting in – and further encouraged by – numerous classic boat regattas and rallies all over the world. Countless dayboats and yachts have been beautifully restored, which inevitably means there are now fewer ‘project boats’ on the market. Nonetheless, second-hand boats built from wood in a wide variety of conditions are still available. So if you’re tempted to buy a fixer-upper, or an already restored beauty, what should you bear in mind?

When contemplating buying a classic wooden yacht the initial considerations are no different to buying any other type of boat: be realistic and honest with yourself about how (and how often) you’ll use it, and with how many crew (experienced or otherwise).

Don’t buy a boat that’s too big or too small, thoroughly research the options for mooring and laying up wherever you hope to keep it and, perhaps most importantly in the case of a classic yacht, make sure you have access to skilled tradespeople to help you look after it.

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The Voiles de Saint-Tropez is a popular event for owners and crews of classic yachts. Photo: Gilles Martin-Raget

The condition of second-hand wooden boats can vary massively, from those described as ‘fully restored’ to ‘in need of restoration’ as the extremes. Richard Gregson of brokers Wooden Ships comments that: “Most people should buy the best boat they can afford in the first place,” adding that they are “much better off buying a boat into which someone else has put all the money. Although she might look quite expensive, it will work out cheaper.”

But for some people – who have the relevant combination of time, money, aptitude and skills – it is the challenge of a project that draws them to a classic or wooden design.

Fully restored second hand boat?

Buyers should always be cautious of a yacht described as ‘fully restored’. “So many times I have seen boats advertised as such,” said Duncan Walker, formerly of Fairlie Restorations and now building the Fairlie range of modern classic yachts, “but in reality it can often mean the boat has been cosmetically refitted, perhaps with a new deck but otherwise just new electronics, furnishings and a coat of varnish. Nobody looked at the structure because they were afraid of it.”

This emphasises the vital importance of a survey. “We try very hard to provide buyers with a boat’s refit history,” said Barney Sandeman of brokers Sandeman Yacht Company, “but it is up to them to get to the bottom of the actual condition and what might need doing. We can recommend some very good surveyors with particular expertise in wood, but it’s the buyers’ call who to use.”

One of the surveyors on Sandeman’s list is Will Stirling, who also runs his own boatyard in Plymouth. “People often ask for a ‘cheap walkthrough’,” he told me. “But I always say that there’s only one grade of survey, which is a full condition survey. It wouldn’t benefit either of us not to do it thoroughly.”

classic yacht project

The cosy and beautifully crafted interior of the fully restored Bermudan cutter Farida.

A surveyor will essentially be looking out for structural issues, areas of decay and the condition of systems. Generally, structural defects are more likely to be found where repairs have been made rather than in the original build.

One common example of this, Stirling finds, is with the spacing of butt joints in hull planking. Most builders of wooden boats would have followed Lloyds rules with regard to this, but if repairs have been carried out good boatbuilding practices may well have been ignored.

Decay is most likely to result from poor ventilation and fresh water ingress. Typical areas where rainwater might get in include chainplates, bulwark stanchions, mast gates and deck seams, from which any amount of hull and deck damage might result.

Article continues below…

classic yacht project

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Poorly sealed shower compartments are another area that often leads to problems. In the case of a boat with a laid deck over a plywood subdeck, water penetration through the seams can easily lead to rot in the plywood which might remain unnoticed for a significant length of time.

Problems can also arise where metal and wood are in contact with each other. The extent of this will vary according to timber species and metal type, but a particularly common issue is caused when the galvanising on a steel or iron bolt has slowly worn away, resulting in rust reacting badly with the tannic acid in oak frames.

These issues can be exaggerated when larger pieces of metal, such as frames in the case of composite construction, come into contact with timber.

The epoxy fix?

The use of epoxy on a wooden second hand boat can be contentious. “There is a place for epoxy and it’s often used in a way that is helpful to owners and boatbuilders,” said Sandeman, “but it can be the kiss of death if all you are doing is encapsulating a rotten old boat.”

Stirling believes problems often stem from the fact that modern owners expect an immaculate paint finish, which is usually achieved with epoxies and two pack paints. “But if you mix an organic material like timber with an inorganic material like epoxy, it’s going to cause you grief,” he said. “And it makes surveying really difficult because you cannot find out what’s going on underneath it.”

classic yacht project

Informal Saturday Hamble Classics races take place on Southampton Water. Photo: Rick Tomlinson

Gregson agrees that “it’s generally a big alarm bell” when a boat has been sheathed in epoxy, but he does recall a rotten boat whose hull and deck were completely encased in epoxy 30 years ago when the only alternative was to break her up.

“We have sold her half a dozen times since,” he said. “Everyone knows she’s festering away inside under the epoxy but she’s had another 30 years of sailing which she wouldn’t have otherwise had.”

In more recent years, epoxy has often been used to great effect with new builds, whether the hull construction is strip planked, cold moulded or a combination of the two. Strip planked construction is often billed as being suitable for amateur builders, but Walker advises that “the process of building a strip planked boat should be carried out to the same level of skill as any other wooden boat.”

He is not alone in thinking that some hulls built this way are to a poor standard, in particular that they sometimes lack adequate framework on the inside or glass and/or veneers on the outside.

classic yacht project

The 1939 35ft Laurent Giles Bermudan cutter Farida has undergone a full five-year rebuild and is currently on the market for £250,000.

But despite what might seem like a lot of negatives, it should be borne in mind that on a wooden boat, in particular a traditionally built plank-on-frame boat, everything can be repaired. And there are plenty of skilled craftsmen available to do the work.

“That’s the wonderful thing about wooden boats,” said Stirling. “It’s just a question of how deep you want to put your hand in your pocket. The important thing is for a potential buyer to have an idea what needs doing and what it might cost.”

In very broad terms when considering a hull, planking is relatively easy to repair and replace, frames less so (especially steel frames, in the case of composite construction), while centreline components cause the most difficulty because of the need to support the boat without distorting it in the process.

But perhaps the most important thing in the boat buying process, thinks Walker, “is that buyers should use their heads and not their hearts. So many people fall in love with a boat and then buy something entirely unsuitable for their pocket or their experience.”

Attitudes towards wooden boat ownership have changed over the years. “When my father started selling them 50 years ago the perception was: ‘Oh dear, those poor people have got a horrible wooden boat as they obviously can’t afford GRP’,” recalls Gregson. “But now it is more like: ‘They must be doing all right for themselves, they have a lovely wooden boat!’”

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